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Summary
Summary
It should have been a short suspended-animation sleep. But this time Rose wakes up to find her past is long gone -- and her future full of peril.
Rosalinda Fitzroy has been asleep for sixty-two years when she is woken by a kiss. Locked away in the chemically induced slumber of a stasis tube in a forgotten subbasement, sixteen-year-old Rose slept straight through the Dark Times that killed millions and utterly changed the world she knew. Now, her parents and her first love are long gone, and Rose -- hailed upon her awakening as the long-lost heir to an interplanetary empire -- is thrust alone into a future in which she is viewed as either a freak or a threat. Desperate to put the past behind her and adapt to her new world, Rose finds herself drawn to the boy who kissed her awake, hoping that he can help her to start fresh. But when a deadly danger jeopardizes her fragile new existence, Rose must face the ghosts of her past with open eyes -- or be left without any future at all.
Author Notes
Anna Sheehan says of A Long, Long Sleep , her first novel, "I always thought the interesting thing about Sleeping Beauty wasn't why she was put to sleep, but what she had to come to terms with afterward. Everything would have changed radically--technology and politics as well as social structure. She would have seemed like a foreigner in her own country." Anna Sheehan lives in rural Oregon.
Reviews (4)
School Library Journal Review
Gr 9 Up-Rosalinda Samantha Fitzroy is a girl out of time in Anna Sheehan's futuristic retelling (Candlewick, 2011) of Sleeping Beauty. Sixty-two years ago, she was a carefree 16-year-old. Everything changed when her ultra-wealthy parents, owners of an interplanetary company named Unicorp, put her in her stasis tube and abandoned her. Now she's awake and everyone she knows is dead. Struggling to adjust and deal with all the press attention and the fact that she is the heir to her parents' interplanetary empire, she makes friends with Bren, the boy who woke her up with a kiss, and an alien named Otto. When a Plastine-a plasticized corpse mercenary-is sent to assassinate her by someone within Unicorp, things take a dangerous turn. Forced to dig up her painful past and some dark family secrets, Rosalinda worries that her past really isn't ancient history. Who can she trust? Will she ever be able to adjust to the future? Narrator Angela Dawe does a good job of voicing Rosalinda's emotions. Although the flashbacks are a little confusing to follow, the other transitions are done well. While the characters' voices sound similar, their personalities and language styles are all unique. An engaging listen.-Kira Moody, Whitmore Public Library, Salt Lake City, UT (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In this intriguing first novel, Rose Fitzroy, biologically 16 years old, comes out of stasis to discover that her billionaire parents and the world she knew are long dead. Having survived the plague-ridden Dark Times, the Earth is doing quite well, with Rose's father's former company in charge of much of it. This puts Rose-the sickly, shy, and self-hating daughter of overbearing parents-in the unusual position of "waking up to discover she's the sole surviving heiress to an interplanetary empire." Before taking on any responsibilities, Rose simply wants to survive high school, make a few friends, and work on her art. Her plans are swiftly interrupted, though, when a strange, virtually unstoppable creature called a Plastine attempts to assassinate her. Aided by handsome Bren and blue-skinned alien hybrid Otto, schoolmates she develops crushes on, Rose must defeat the assassin, learn to live as an independent adult, and discover why her parents essentially abandoned her in stasis. With well-developed characters, a touch of romance, and a believable future that, for once, is not entirely dystopian, Sheehan's tale should please many readers. Ages 14-up. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
In this future-set "Sleeping Beauty," Rose, heiress to a massive interplanetary corporation, awakens from more than sixty years in stasis. Manipulated by greedy employees and hunted by an assassin, Rose copes by painting and befriending another outcast, an alien named Otto. Passive, self-deprecating Rose's abrupt transformation into self-assured, confident heroine is difficult to believe, but the fairy-tale elements are creatively reimagined. (c) Copyright 2012. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Sleeping Beauty wakes up to a future world where everyone she ever knew is gone.Dramatic disasters, diseases and technological advancements have passed during Rosalinda Fitzroy's decades of sleep. In her new role as long-lost heiress to the interplanetary business empire UniCorp, she faces a new world without her family or boyfriend. History lessons hit too close to home at school, and she fails to connect with anyone but Bren, the son of top UniCorp officials and discoverer of her stasis tube, and Otto, the result an unethical UniCorp experiment. The science-fiction elements here are tantalizing but under-explored and under-utilized. Before Rose can fix the mistakes of her parents' company, she needs to fix their parenting mistakes. Rose's first-person narration paints the picture of a girl too accommodating and self-deprecating for her social position. Gradually, her quirks are explained through the mystery of her placement into stasis. Futuristic slang words jar, and the passages don't always mesh wellthe all-too-possible descriptions of what went wrong while Rose slept are chilling but not always well-integrated into the story, and the breaks from Rose's point-of-view into that of a mysterious second character are forced. Assassination attempts against Rose feel tacked on to bump up the tension, though they are eventually tied into her emotional story arc.Thoughtful but uneven. (Science fiction. 14 up)]] Copyright Kirkus Reviews, used with permission.