Summary
Since their original publication, Peanuts Sundays have almost always beencollected and reprinted in black and white, and generations of Peanuts fans havegrown up enjoying this iteration of these strips. But many who read Peanuts intheir original Sunday papers remain fond of the striking coloring, which makesfor a surprisingly different reading experience. It is for these fans (and forPeanuts fans in general who want to experience this alternate/original version)that we now present a series of larger, Sundays-only Peanuts reprints. As withmost strips, Peanuts showed by far the quickest and richest development in itsfirst decade, and Peanuts Every Sunday: 1952-1955, by compiling every strip fromthe first four years, offers a fascinating peek at Schulz's evolving creativeprocess. Not only does the graphic side of the strips change drastically, fromthe strip's initial stiff, ultra-simple stylizations through a period ofuncommonly lush, detailed drawings to something close to the final, elegantPeanuts style we've all come to know and love, but several main characters aregradually introduced oddly enough, usually as infants who would then grow up tofull, articulate Peanut-hood! and then refined: Schroeder, Lucy, and Linus.
Charles Monroe Schulz, creator of the Peanuts comic strip, was born in Minneapolis, Minnesota on November 26, 1922. He started drawing at a young age, practicing with popular characters such as Popeye. When he was 15, one of his pictures appeared as an illustration in "Ripley's Believe It or Not!" He took a correspondence course with Art Instruction Inc., where he later taught, and served in the Army during World War II.
The Peanuts (originally called Li'l Folks, a name that was changed by the United Feature Syndicate) began syndication on October 2, 1950, when it appeared in seven newspapers. Schulz's work went on to become the most popular syndicated comic strip of all time, appearing in 2600 papers in 75 countries around the world. Schulz drew everyone of the more than 18,250 Peanuts strips himself and his contract stipulated that no one else would ever draw them.
Charlie Brown, Snoopy and the rest of the Peanuts Gang also appear in a number of television specials, the first of which was A Charlie Brown Christmas (1964), created with animator Bill Melendez. It is one of the most watched and best loved television shows in history and winner of an Emmy and a Peabody.
Charles Schulz has been inducted into the Cartoonists Hall of Fame and won numerous awards. He was given Reuben Awards by the National Cartoonists Society in 1955 and 1964, the Yale Humor Award (1956), the School Bell Award from the National Education Society (1960), and the Ordre des Artes et des Lettres from the French Ministry of Culture. In 1990, his work was shown at the Louvre.
Schulz retired after being diagnosed with colon cancer. The final daily Peanuts strip appeared in January 3, 2000 and the final Sunday strip, along with a letter of thanks to his editors and fans, appeared on February 13, 2000. Schulz died in his home in Santa Rosa, California on February 12, 2000 within hours of the publication of his farewell strip.
(Bowker Author Biography)