School Library Journal Review
Gr 8 Up-The names of rock bands are used for chapter titles in this intriguing, fast-paced sequel to Peeps (Penguin, 2005), and music permeates the novel. While mysterious, dark happenings have taken over New York City's hot, humid summer (black water bubbling from faucets and hydrants, and rats congregating in packs on city streets), Moz, an aspiring guitarist, and his closest associate, Zahler, search for promising musicians to complete their sound. One night, as Moz tries to save a vintage 1975 Fender Stratocaster as it is inexplicably thrown out of an apartment window, he meets Pearl, an attractive and slightly off-center musical genius. With the help of Zahler, they recruit a street drummer named Alana Ray, and Pearl convinces her talented singer friend Minerva, who is recuperating from a serious illness that appears to have left her with a strange desire for human blood, to join them. Moz and Pearl work through power issues as they become closer. And as the danger to New York City begins to escalate, the band's evolving music and especially the energized singing of Minerva-both described in great detail-play a central role in calling up the deadly forces and ultimately helping to defeat them. The dialogue is crisp and clear and alternately funny and biting. While it will help to read Peeps first, this novel stands on its own. It's a real winner.-Jack Forman, Mesa College Library, San Diego (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Five new first-person perspectives replace Cal's heated singular voice from Peeps (2005) in this continued thriller about an ancient vampire-spawning parasite and its role in saving civilization. Moz and Zahler, guitarists, are walking down the street when a parasite-positive woman throws an expensive guitar out a window. Moz and a stranger--Pearl--catch it in a blanket, and the three form a band. Pearl recruits Minerva--locked in her room for months because she's parasite-positive, light-phobic and cannibalistic--to sing. Alana Ray, a synesthete who drums on paint buckets in Times Square, adds a brilliant backbeat. New York City is in shambles, with garbage piling up everywhere, peeps multiplying rapidly (some nursed back to sanity, others roaming the streets eating people) and mammoth underground worms breaking through concrete to devour masses of humans. The band's urgent music calls to the worms in an obscure hypnotic language. Less startling and revelatory than Peeps; a broader, lateral look at the same world, with suspense, touches of humor and eminently appealing characters. (Fantasy. YA) Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Something horrifying is bubbling up from the earth, and vampires stalk the streets of New York--but in this electric sequel to Peeps (2005), Moz and his buddy Zahler think only of forming a band. One night Moz, with the help of passerby Pearl, rescues a Fender Stratocaster guitar. Like Moz, Pearl is a musician, and a band is born. Soon the band recruits a singer, a Peep with her parasite mostly under control, and a drummer who literally sees the music and the terrifying things it attracts. Eventually it\b becomes clear that the new band will play a key role in the coming struggle against the powerful evil. Westerfeld continues his captivating, original vision, improving it in this tightly plotted sequel. The new characters are engaging, and the breezy dialogue is graced with both unique slang and a touch of humor. Teen will savor the picture of a band finding its sound while saving the world. Both new readers and Peeps fans will eat this up. --Lynn Rutan Copyright 2006 Booklist