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Summary
Summary
Named a Must-Read by TIME , Buzzfeed , The Wall Street Journal , Star Tribune , Fast Company , The Village Voice , Toronto Star , Fortune Magazine , InStyle , and O, The Oprah Magazine
"A joy to read -- I couldn't get enough."
-- Buzzfeed
"This novel practically thumps with heartache and sharp humor."
-- Chang-rae Lee, New York Times bestselling author of Native Speaker
An exuberant and wise multigenerational debut novel about the complicated lives and loves of people working in everyone's favorite Chinese restaurant.
The Beijing Duck House in Rockville, Maryland, is not only a beloved go-to setting for hunger pangs and celebrations; it is its own world, inhabited by waiters and kitchen staff who have been fighting, loving, and aging within its walls for decades. When disaster strikes, this working family's controlled chaos is set loose, forcing each character to confront the conflicts that fast-paced restaurant life has kept at bay.
Owner Jimmy Han hopes to leave his late father's homespun establishment for a fancier one. Jimmy's older brother, Johnny, and Johnny's daughter, Annie, ache to return to a time before a father's absence and a teenager's silence pushed them apart. Nan and Ah-Jack, longtime Duck House employees, are tempted to turn their thirty-year friendship into something else, even as Nan's son, Pat, struggles to stay out of trouble. And when Pat and Annie, caught in a mix of youthful lust andboredom, find themselves in a dangerous game that implicates them in the Duck House tragedy, their families must decide how much they are willing to sacrifice to help their children.
Generous in spirit, unaffected in its intelligence, multi-voiced, poignant, and darkly funny, Number One Chinese Restaurant looks beyond red tablecloths and silkscreen murals to share an unforgettable story about youth and aging, parents and children, and all the ways that our families destroy us while also keeping us grounded and alive.
Author Notes
Lillian Li is from the D.C. metro area and lives in Ann Arbor, Michigan. Number One Chinese Restaurant is her first novel.
Reviews (5)
Publisher's Weekly Review
With echoes of Stewart O'Nan's Last Night at the Lobster, Li's insightful debut takes readers behind the scenes of a Chinese restaurant, the Beijing Duck House, in Rockville, Md. Jimmy Han, son of the restaurant's deceased original owner, runs the business but is trying to sell it to transition to a more upscale venue, the Beijing Glory, an Asian fusion restaurant on the Georgetown waterfront. Jimmy and his older brother, Johnny, have had a running argument about the direction of the Duck House-Johnny wants the restaurant to remain traditional-since the death of their father. Their manager, Nan, and Ah-Jack, a waiter, have been friends for 30 years but lately have become romantically involved. Meanwhile, Nan's troubled 17-year-old son, Pat, a dishwasher, and Johnny's disaffected daughter, Annie, a hostess, have been having not-so-secret sex in the storage closet. And hovering over all of them is Uncle Pang, a mysterious, nine-fingered godfather who might hold the key to their futures. Despite the novel's leisurely plotting, Li vividly depicts the lives of her characters and gives the narrative a few satisfying turns, resulting in a memorable debut. (June) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
The owner and employees of a venerable Chinese restaurant in the D.C. suburbs face drastic changes in their lives and routines.As Li's debut opens, Jimmy Han is searching his restaurant for Ah-Jack, an elderly waiter who is late with the order of Uncle Pangan important and dangerous man who is not actually Jimmy's uncle. "At the mouth of the hallway, a current of Duck House staff buffeted Jimmy along. The Chinese and Spanish he'd banned from the dining room filled this narrow space, echoing off the walls. Waiters blocked traffic to grab beer from the lower fridge...busboys huddled against the main waiter station, pouring leftovers into paper cartons with hasty precision....Behind the stainless-steel divider, flames whooshed up to embrace giant woks, each cook casually stir-frying as fire sprang, volcanic, from the deep, blackened burners." Evoking every detail of the setting, operation, cuisine, and culture of this restaurant with riveting verisimilitude, Li sets the stage for a complex family tragedy viewed from many angles. Jimmy has never been happy running the restaurant made famous by his late father; he's making moves to close it down and purchase a fancier venue in downtown Washington with a view of the Potomac. To raise the cash for this venture, he's hired a sexy real estate agent to sell the family mansionthough not if his mother, a bitter old woman who still lives there, has anything to say about it. Then Uncle Pang's behind-the-scenes machinations result in a dramatic catastrophe. Swept up in it are two teenage members of the restaurant's extended family, Jimmy's niece, Annie, and the recently-expelled-from-school busboy, Pat, son of the No. 1 waitress. Though nothing works out for any of the characters the way he or she wants it to, Li's sense of the human comedy and of the aspirations burning in each human heart puts a philosophical spin on the losses of her characters.With its deliciously depicted restaurant setting and knowing perspective on Chinese-American culture, this novel is two-thirds cultural comedy. The other third is something deeper and sadder. A writer to watch. Copyright Kirkus Reviews, used with permission.
Booklist Review
When Chinese American immigrant Bobby Han died, entrusting his Beijing Duck House restaurant to the next generation, he couldn't have fathomed how quickly his 30-year-old legacy would go up in flames. His younger son, Jimmy dubbed little boss by the restaurant staff, many of whom watched him grow up wants out of the suburban Maryland family business, having already bought a swankier Georgetown establishment. Johnny, the older brother, has been avoiding family drama by teaching in Hong Kong, but his reprieve is short-lived. Their aging mother has lost all patience with her incompetent offspring, leaving plenty of room for her sly cousin, Pang, to play out his own machinations. Meanwhile, the Duck House's two longest-standing employees, Jack and Nan, face tribulations of their own: Jack's cancer-weakened wife has seemingly run off; Nan's high-school-expelled son is caught in flagrante with the boss's niece. Debut novelist Li's prominent acknowledgment of her Princeton professors, including Chang-rae Lee, Jeffery Eugenides, and Lorrie Moore, distinctly showcases her literary pedigree in this raucous, bittersweet non-love story across cultures, generations, morals, and other seemingly impossible divides.--Hong, Terry Copyright 2018 Booklist
New York Review of Books Review
CULTURE AND COMMERCE have long been easy bedfellows in the complicated relationship between the United States and China, so it's unsurprising that two first novels by young American authors, "Number One Chinese Restaurant," by Lillian Li, and "The Emperor of Shoes," by Spencer Wise, should feature a Chinese-American restaurant and an American-owned Chinese shoe factory, respectively, as the hubs in which lives, loves, languages and histories intersect. Li's novel revolves around the tangled inner workings of the family-owned Beijing Duck House, in Rockville, Md., and the multigenerational enmities and aspirations of its owners and workers. The middle-aged Jimmy Han, who inherited the restaurant (along with its tired menu and timeworn décor) from his late father, hopes to open his own pan-Asian fusion restaurant in modish Georgetown. However, in order to realize his plan, he must rely on the financial clout of Uncle Pang, a shady, nine-fingered fixer, and obtain the consent of the family matriarch, Feng Fei. For the elder, Chinese-born family members and workers, the Beijing Duck House has displaced Beijing itself as "the heartcenter of the universe." But among their largely directionless American-born offspring - including Annie, Johnny's daughter, and Pat, the son of a manager named Nan - the attachment is more casual. Nan is in a bicoastal marriage (her husband owns a restaurant in California), which doesn't stop her from developing a relationship with a fellow restaurant employee named Ah-Jack, a man a generation older and still married to his terminally ill wife. Goaded by Uncle Pang, Pat, along with an unwitting Annie, starts a fire that eventually guts the restaurant, forcing these longsimmering relationships and rivalries into sharp relief as priorities and allegiances are tested and reassessed. Although Li's prose can be uninspired ("the trouble with life was that life needed trouble"), more often it engrosses, especially when she allows the external world into the virtually airtight space of the restaurant, as she does when describing Jimmy's camaraderie with the multiethnic cohort of kitchen cooks outside working hours, or Ah-Jack's affecting relationship with Nan. For the most part, though, Li's fictional America is suggestively insubstantial, her characters seemingly unable to step outside "the shadow of the Duck House," itself a metaphor for their "Chineseness" in the United States - whether perceived or self-imposed. Questions of family and identity also figure prominently in Wise's first novel. Alex Cohen, a 26-year-old Jewish Bostonian and partner in his father's shoe factory in southern China, falls in love with a factory worker-cum-clandestine union organizer named Ivy. Soon he's acting on a newfound commitment to workers' rights, which appears incompatible with his father's bottom line and the vigilant gaze of local Communist Party officials. Garrulous, jocular and culturally insensitive, Alex's father, Fedor, is wedded to the status quo - outdated shoe designs and the bribes to party officials necessary to ensure his factory's smooth operation. Wise has also endowed Fedor's character with an exaggerated Jewish-American identity, one marked by Yiddishisms and shtick and often verging on caricature. ("Vey iz mir!" Fedor says in a typical passage. "We're shoe men, Alex, artists! Have I slaughtered a bull lately? Have you?") Throughout his time in China, Alex is haunted by the question of belonging: He is not strictly American, by virtue of his expatriate status, but nor is he Chinese. (Locals refer to him as gweilo, or "ghost man," in Cantonese.) His sense of purpose and identity gradually emerge through his involvement with Ivy, a veteran of the 1989 protests in Tiananmen Square, and her (fictional) Democratic Revolutionary Party, which he allows to organize a workers' strike at his father's factory. Despite nods to recent Chinese history, Wise's novel stands on shaky ideological ground. Only through a relationship with a disadvantaged Chinese factory worker does his privileged American protagonist come to affirm what are understood to be Western values of equality and human rights, a plotline that risks reducing China and its problems to mere cultural props in a Western man's coming-of-age story. With Chinese novels increasingly available in English translations, readers wishing to avoid such Western-centrism might consider provocative alternatives like Lu Nei's "Young Babylon," and Sheng Keyi's "Northern Girls." ("Factory Girls," a nonfiction account by Leslie T. Chang, and "Iron Moon," an anthology of poetry by Chinese workers, also provide illuminating depictions of factory life.) Nevertheless, both "Number One Chinese Restaurant" and "The Emperor of Shoes" underscore the extent to which the promise of economic opportunity still moves people across great distances on our planet. The Greek root of the word "planet" - planetes - means a wanderer or traveler, and in the sense that we are increasingly global citizens, we are all wanderers. After all, to travel is to experience the volatility of identity and the uncertainty of home. "So we're the bridge," Alex says to an American-born friend in Wise's novel. To which his friend replies: "Right. The middle step. We ain't Chinese, but we ain't American. We live here, from there. Inbetweeners." In our current climate of exclusionary politics based on privileged citizenships, how much more empathetic it would be to acknowledge the shared "in between" moments of our existence. As Alex reflects at one point, "I pictured myself at peace, in a place where I stood out so goddamn bad that I finally fit in." In this respect, both Li and Wise have written novels of our times. ? 'We ain't Chinese, but we ain't American. We live here, from there.' BRIAN haman is the book review and interview editor of The Shanghai Literary Review.
Library Journal Review
DEBUT Located in Rockville, MD, the Duck House Restaurant is where Bobby Han made his mark until he passed away from cancer. Sons Jimmy and Johnny take over the operation, planning to make the restaurant a bigger name than it was. When a sudden and mysterious fire completely destroys the place, the brothers are left to pick up the pieces along with the help of their most loyal employees, Nan and Ah Jack. Meanwhile, Johnny and daughter Annie are estranged, and Annie becomes dangerously involved with an employee's son. Readers soon discover a world of dysfunction in this first novel by Li, a University of Michigan Hopwood Award winner, as hidden motives and secrets quickly rise to the surface. This relational novel cleverly relays romantic plots among the employees, and Godfather-like underpinnings are seen in the character of Uncle Pang. VERDICT While the work as a whole could have been strengthened with greater character development and stronger plot lines, this light and breezy novel of life behind a Chinese restaurant may contain its share of modern-day stereotypes but is nonetheless an entertaining read. [See Prepub Alert, 12/7/17.]-Shirley Quan, Orange Cty. P.L., Santa Ana, CA © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.