Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Silver Falls Library | YA BUZO | Searching... Unknown |
Searching... Monmouth Public Library | YA Fic Buzo, L. 2012 | Searching... Unknown |
Searching... Newberg Public Library | TEEN BUZO | Searching... Unknown |
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Summary
Summary
Love is awkward, as fans of Rainbow Rowell and E. Lockhart well know. Funny and heartbreaking in equal measure, this grocery store romance was a Morris Award Finalist for Best YA debut.
"Smart, honest and full of achingly real characters. And it made me laugh. What else would you want in a book?" --Melina Marchetta, Printz Award-winning author
From the moment Amelia sets eyes on Chris, she is a goner. Lost. Sunk. Head over heels infatuated with him. It's problematic, since Chris, 21, is a sophisticated university student, while Amelia, 15, is 15.
Amelia isn't stupid. She knows it's not gonna happen. So she plays it cool around Chris--at least, as cool as she can. Working checkout together at the local supermarket, they strike up a friendship: swapping life stories, bantering about everything from classic books to B movies, and cataloging the many injustices of growing up. As time goes on, Amelia's crush doesn't seem so one-sided anymore. But if Chris likes her back, what then? Can two people in such different places in life really be together?
Through a year of befuddling firsts--first love, first job, first party, and first hangover--debut author Laura Buzo shows how the things that break your heart can still crack you up.
"A sweet and scathingly funny love story." -- Kirkus , Starred Review
Author Notes
A life-long resident of Sydney Australia, LAURA BUZO is a social worker and mother to a young daughter. Love and Other Perishable Items is her first novel.
Reviews (5)
School Library Journal Review
Gr 9-11-Sensitive and intelligent Amelia Hayes, 15, takes an after-school job at a local supermarket, and the minute she meets university student Chris, who trains her to work the checkout, she's a goner. Alas, it's a mostly one-sided infatuation. Amelia wants romance with the charming 21-year-old, but he is mourning a failed relationship and sees Amelia only as a bright and funny "youngster." Over the course of a year, her cringe-worthy crush persists, although she tries valiantly to hide it from Chris and the rest of the supermarket crew, all of whom are quirky and deserve books of their own. Chris is busy working too many hours and trying to avoid graduating and getting a real job by extending his coursework to include a second major. It's abundantly clear that if there weren't such a dramatic age difference, the genuine friendship between Chris and Amelia could have morphed into a heavy-duty romance, and this makes her plight even more painful. The author captures all of the conflicting emotions of both characters by telling the story through Amelia's eyes as well as through some of Chris's journal entries, which provide background information about his failed love affair, his relationship with his family and friends, and his ambivalence about his future. There is quite a lot of underage drinking and some funny discussions of pot use. The realistic conclusion is a bit open-ended, which lends hope that there will be a sequel.-Susan Riley, Mount Kisco Public Library, NY (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Set over the course of a year, Buzo's debut, first published in Australia, tracks 15-year-old Amelia as she pines over Chris, a boy six years her senior, who works the checkout with her at a supermarket in New South Wales. Amelia knows that a relationship with Chris is probably impossible, but she can't get him out of her head. From the beginning, Buzo underscores the idea that Chris and Amelia are simply at different stages of their lives (a line Chris even uses on Amelia at one point). Chapters told from Amelia's perspective are all about Chris, even as she vents her frustrations about her parents' relationship and feeling young and naive. Conversely, Amelia barely warrants a mention in Chris's chapters, diary entries in which he mopes over being dumped by the love of his life and details partying with friends at university. Throughout, readers see how little Amelia really knows about Chris, a powerful bit of dramatic irony. It's a believable and often funny portrait of the messy relationship between a starry-eyed but sharp-witted teenager and a young man stumbling his way into adulthood. Ages 14-up. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Amelia's part-time supermarket job would be a total bore if not for Chris, her smart, funny, and friendly coworker; he keeps her entertained with conversations both humorous ("I will call you grasshopper and you will call me sensei, and I will share with you what I know") and thought-provoking (they argue boisterously about literature, feminism, and society). Amelia (likewise smart and funny) is instantly smitten, and her first-person narration alternates with Chris's letters and journal entries, so readers are also treated to his version of events -- and his own feelings for Amelia. Unfortunately, Amelia is fifteen and in high school; university student Chris is twenty-one. But, like Amelia, readers will fall for Chris and will, as Amelia does in the end, appreciate that he's decent enough to see that dating her would be both impractical and more than a little bit pervy. (They'll also swoon over Chris's fit of jealousy when coworker Jeremy puts the moves on Amelia; the drunken kiss Chris gives Amelia in a moment of weakness; and his journal entries that detail his growing attraction to "Youngster," as he calls her.) This Australian import, Buzo's debut novel, delves into both the emotional life of an adolescent (with a spot-on description, for example, of what a crush feels like) and that of a youngish adult (including Chris's painful attempt to forget a former girlfriend), giving readers keen insight into both the present and the future. jennifer m. brabander (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A sweet and scathingly funny love story (kinda) from Australia. Amelia is thoroughly crushed out on Chris. Chris pines for Michaela, though he does think Amelia is interesting. Amelia lives for her evening and weekend shifts at the local supermarket, aka "the Land of Dreams"; Chris lives for his post-work and -class benders and the hope of sex. As Chris says, "[Y]ou are fifteen and I am twenty-two, we have nothing in common socially and are at completely different stages in our lives." Well, they are and they aren't. Amelia is "in [the] no-man's-land between the trenches of childhood and adulthood," and really, so is Chris. About to finish his sociology degree, he still lives with his parents and avoids planning beyond university. Amelia tells her side of the nonromance in a smart, wistfully perceptive present tense, while Chris' story unfolds in his journals, written with savage, self-deprecating, foulmouthed ferocity. These accounts are interleaved, though staggered chronologically so readers move back and forth in time as the relationship develops--a brilliant juxtaposition. Alcohol-drenched encounters outside of work are, with one exception, almost irredeemably sordid (though as funny as the rest of the book); the Land of Dreams becomes a weird haven for them both, where they discuss Great Expectations and school each other in third-wave feminism. The exactly right conclusion eschews easy resolution, though there's plenty of hope as they flounder into the future. (Fiction. 14 up)]] Copyright Kirkus Reviews, used with permission.
Booklist Review
The hot topic of romance on the job is at the center of this debut novel. Working at the checkout in her local supermarket in Sydney, Australia, 15-year-old Amelia has a crush on her handsome supervisor, college student Christopher. He likes the youngster, and they talk about classic books, movies, and more; but he is in love with fellow worker Michaela. Or is his obsession with his supervisor, Kathy? With a big cast, this novel from Australia takes on just about everything, mainly in Amelia's first-person, present-tense narrative, with a few detours into Chris' long notebook entries and letters. Woven around the romance plots are issues about feminism today: yes, mom can work, but why does she still have to do all the housework? What will hold teens most is the charged, authentic, and awkward social scene at work. Amelia is not popular: is it because she refuses to cozy? The realistic situations and questions will stay with readers.--Rochman, Hazel Copyright 2010 Booklist