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Summary
Summary
From the bestselling author of Circle of Friends, a compelling story of contemporary Dublin characters tied together by their weekly trip aboard Tom Fitzgerald's lilac-colored bus. Includes Binchy's Dublin 4--a collection of stories about today's Ireland. "(Binchy is) a wonderful student of human nature".--The New York Times Book Review. Copyright © Libri GmbH. All rights reserved.
Summary
From the bestselling author of Circle of Friends, a compelling story of contemporary Dublin characters tied together by their weekly trip aboard Tom Fitzgerald's lilac-colored bus. Includes Binchy's Dublin 4--a collection of stories about today's Ireland. "(Binchy is) a wonderful student of human nature".--The New York Times Book Review. Copyright © Libri GmbH. All rights reserved.
Summary
The Journey... Every Friday night a lilac-colored minibus leaves Dublin for the Irish country town of Rathdoon with seven weekend commuters on board. All of them, from the joking bank porter to the rich doctor's daughter, have their reasons for making the journey.
The Destination...Rathdoon is the kind of Irish village where family histories are shared and scandals don't stay secret for long. And this weekend, when the bus pulls in, the riders find the unexpected waiting for them...as each of their private lives unfolds to reveal a sharp betrayal of the heart, a young man's crime, and a chance for new dreams among the eight intriguing men and women on...
"From the Trade Paperback edition."
Summary
The Journey... Every Friday night a lilac-colored minibus leaves Dublin for the Irish country town of Rathdoon with seven weekend commuters on board. All of them, from the joking bank porter to the rich doctor's daughter, have their reasons for making the journey. The Destination...Rathdoon is the kind of Irish village where family histories are shared and scandals don't stay secret for long. And this weekend, when the bus pulls in, the riders find the unexpected waiting for them...as each of their private lives unfolds to reveal a sharp betrayal of the heart, a young man's crime, and a chance for new dreams among the eight intriguing men and women on...
Author Notes
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Reviews (16)
Publisher's Weekly Review
In the first eight interrelated stories of the dozen that comprise her new collection, Binchy ( Circle of Friends ) introduces eight people who travel on a lilac-colored bus from Dublin every Friday night to spend the weekend in their hometown, Rathdoon. Each of the seven passengers and the bus driver is the protagonist of an individual story; taken together, the tales have the cohesion of a novelette. Though these people have known one another for years, they are totally unaware of the compulsions, anxieties, heartaches and dreams of their fellow travelers. As is gradually revealed, everyone on the bus has a secret; thus the stories have the pull of taffy: having finished one, the reader is hooked on discovering the essence of yet another protagonist's existence. Each story delivers a kick of surprise--and often more than one--as Binchy peels back the layers of her characters' lives with empathy, compassion and not a little humor. In the process, the tales coalesce to portray the social order of Rathdoon. The last four stories are set in Dublin, with a new, equally engrossing cast. Although the pieces differ widely in social setting and circumstance, each features a woman who learns the strength of her mettle through adversity. This gallery of memorable characters again confirms Binchy as a beguiling raconteur. BOMC featured selection. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
From Binchy, that well-beloved chronicler of things Irish (as in Circle of Friends and Firefly Summer), eight thematically connected stories, plus four thrown in presumably for good measure. The whole lot testifies to this writer's continued fascination with ordinary people and their tics of character, and how their lives never straighten out but grow more bittersweetly convoluted by the heartbeat. A lilac-colored bus is what draws eight Dubliners together for the four-hour trip to and from the village of Rathdoon on the weekends. And a varied collection of souls they are, including: Nancy Morris, the world's stingiest woman, who by the end of her sorry story does not change her ways a bit; a bank porter named Mikey, who despite his habit for telling off-color jokes badly, and for his generally hang-doggish self-presentation, finishes first when he steps into his errant elder brother's shoes (and marriage); Celia, a big, strapping girl who comes up with an ingenious way of convincing her perpetually potted mam that it's time to take herself off to a dry-out clinic; and Rupert, an earnest young fellow who tiptoes out of the closet when he at last determines to bring his male lover home to meet his stodgy, aging parents. Meanwhile, the Dublin Four stories that close the collection, about a very nervous country girl come to the city, a betrayed wife in pursuit of vengeance, and others, suffer from their lack of connecting fiber, and on occasion simply go on for too long. A big plate of mixed appetizers for Binchy fans, some of them nicely concentrated character studies, others predictable and flat.
Booklist Review
This novel comprises eight vignettes--scenes from the lives of people who travel home together each weekend from Dublin to the village of Rathdoon. On the bus, like commuters, they say hello and make dutiful, pleasant conversation, but they reveal little of their private lives, especially their reasons for traveling home so often. As Binchy examines Nancy, Dee, Mikey, Judy, Kev, Rupert, Celia, and Tom, she moves from character study to cops and robbers. For example, Nancy, a parsimonious, unpopular girl, is made to see how her penny-pinching reflects a meanness in her spirit. The source of Nancy's revelation is Celia's mother, Mrs. Ryan, the owner of the local pub, whose drinking has become a frightening problem. Celia must force her mother to realize her addiction and convince her to take the cure. Then there's the character Kev, who has become unwittingly involved in high-level burglary and office theft and comes home each weekend to escape the planned heists. Some of the situations portrayed come to rather pat resolutions, the characters aided by the counsel of family and friends. Other tales are less predictable--and richer due to a tinge of ambiguity. Sentimental in an unmistakably Irish way, Binchy's stories never fail to bring a smile despite the common troubles they portray. Featured selection of the Book-of-the-Month Club. (Reviewed Sept. 15, 1991)0385304943Denise Perry Donavin
Library Journal Review
Two collections of stories, ``The Lilac Bus'' and ``Dublin 4,'' make up Binchy's latest book, a showcase for her marvelous storytelling ability. ``The Lilac Bus'' consists of eight connected stories, each one a revealing portrait of a Dublin worker who goes home to the outlying town of Rathdoon each weekend in Tom Fitzgerald's minibus. Torn between the anonymous independence of Dublin and the claustrophobic safety of Rathdoon, many characters lead secretive double lives: Dee has a married lover, Rupert is gay, Kev is a thief. The more fully realized stories in ``Dublin 4'' have only their Dublin setting in common. Hard hitters dealing with alcoholism, unwed pregnancy, and an unfaithful husband are lightened by the humorous ``Flat in Ringsend'' about a young girl's stab at independence in her first flat. While not as completely satisfying as Binchy novels ( Circle of Friends, LJ 12/90), this is absorbing, entertaining reading with characters to care about. Previewed in Prepub Alert, LJ 7/1/91.-- Patricia Ross, Westerville P.L., Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In the first eight interrelated stories of the dozen that comprise her new collection, Binchy ( Circle of Friends ) introduces eight people who travel on a lilac-colored bus from Dublin every Friday night to spend the weekend in their hometown, Rathdoon. Each of the seven passengers and the bus driver is the protagonist of an individual story; taken together, the tales have the cohesion of a novelette. Though these people have known one another for years, they are totally unaware of the compulsions, anxieties, heartaches and dreams of their fellow travelers. As is gradually revealed, everyone on the bus has a secret; thus the stories have the pull of taffy: having finished one, the reader is hooked on discovering the essence of yet another protagonist's existence. Each story delivers a kick of surprise--and often more than one--as Binchy peels back the layers of her characters' lives with empathy, compassion and not a little humor. In the process, the tales coalesce to portray the social order of Rathdoon. The last four stories are set in Dublin, with a new, equally engrossing cast. Although the pieces differ widely in social setting and circumstance, each features a woman who learns the strength of her mettle through adversity. This gallery of memorable characters again confirms Binchy as a beguiling raconteur. BOMC featured selection. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
From Binchy, that well-beloved chronicler of things Irish (as in Circle of Friends and Firefly Summer), eight thematically connected stories, plus four thrown in presumably for good measure. The whole lot testifies to this writer's continued fascination with ordinary people and their tics of character, and how their lives never straighten out but grow more bittersweetly convoluted by the heartbeat. A lilac-colored bus is what draws eight Dubliners together for the four-hour trip to and from the village of Rathdoon on the weekends. And a varied collection of souls they are, including: Nancy Morris, the world's stingiest woman, who by the end of her sorry story does not change her ways a bit; a bank porter named Mikey, who despite his habit for telling off-color jokes badly, and for his generally hang-doggish self-presentation, finishes first when he steps into his errant elder brother's shoes (and marriage); Celia, a big, strapping girl who comes up with an ingenious way of convincing her perpetually potted mam that it's time to take herself off to a dry-out clinic; and Rupert, an earnest young fellow who tiptoes out of the closet when he at last determines to bring his male lover home to meet his stodgy, aging parents. Meanwhile, the Dublin Four stories that close the collection, about a very nervous country girl come to the city, a betrayed wife in pursuit of vengeance, and others, suffer from their lack of connecting fiber, and on occasion simply go on for too long. A big plate of mixed appetizers for Binchy fans, some of them nicely concentrated character studies, others predictable and flat.
Booklist Review
This novel comprises eight vignettes--scenes from the lives of people who travel home together each weekend from Dublin to the village of Rathdoon. On the bus, like commuters, they say hello and make dutiful, pleasant conversation, but they reveal little of their private lives, especially their reasons for traveling home so often. As Binchy examines Nancy, Dee, Mikey, Judy, Kev, Rupert, Celia, and Tom, she moves from character study to cops and robbers. For example, Nancy, a parsimonious, unpopular girl, is made to see how her penny-pinching reflects a meanness in her spirit. The source of Nancy's revelation is Celia's mother, Mrs. Ryan, the owner of the local pub, whose drinking has become a frightening problem. Celia must force her mother to realize her addiction and convince her to take the cure. Then there's the character Kev, who has become unwittingly involved in high-level burglary and office theft and comes home each weekend to escape the planned heists. Some of the situations portrayed come to rather pat resolutions, the characters aided by the counsel of family and friends. Other tales are less predictable--and richer due to a tinge of ambiguity. Sentimental in an unmistakably Irish way, Binchy's stories never fail to bring a smile despite the common troubles they portray. Featured selection of the Book-of-the-Month Club. (Reviewed Sept. 15, 1991)0385304943Denise Perry Donavin
Library Journal Review
Two collections of stories, ``The Lilac Bus'' and ``Dublin 4,'' make up Binchy's latest book, a showcase for her marvelous storytelling ability. ``The Lilac Bus'' consists of eight connected stories, each one a revealing portrait of a Dublin worker who goes home to the outlying town of Rathdoon each weekend in Tom Fitzgerald's minibus. Torn between the anonymous independence of Dublin and the claustrophobic safety of Rathdoon, many characters lead secretive double lives: Dee has a married lover, Rupert is gay, Kev is a thief. The more fully realized stories in ``Dublin 4'' have only their Dublin setting in common. Hard hitters dealing with alcoholism, unwed pregnancy, and an unfaithful husband are lightened by the humorous ``Flat in Ringsend'' about a young girl's stab at independence in her first flat. While not as completely satisfying as Binchy novels ( Circle of Friends, LJ 12/90), this is absorbing, entertaining reading with characters to care about. Previewed in Prepub Alert, LJ 7/1/91.-- Patricia Ross, Westerville P.L., Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In the first eight interrelated stories of the dozen that comprise her new collection, Binchy ( Circle of Friends ) introduces eight people who travel on a lilac-colored bus from Dublin every Friday night to spend the weekend in their hometown, Rathdoon. Each of the seven passengers and the bus driver is the protagonist of an individual story; taken together, the tales have the cohesion of a novelette. Though these people have known one another for years, they are totally unaware of the compulsions, anxieties, heartaches and dreams of their fellow travelers. As is gradually revealed, everyone on the bus has a secret; thus the stories have the pull of taffy: having finished one, the reader is hooked on discovering the essence of yet another protagonist's existence. Each story delivers a kick of surprise--and often more than one--as Binchy peels back the layers of her characters' lives with empathy, compassion and not a little humor. In the process, the tales coalesce to portray the social order of Rathdoon. The last four stories are set in Dublin, with a new, equally engrossing cast. Although the pieces differ widely in social setting and circumstance, each features a woman who learns the strength of her mettle through adversity. This gallery of memorable characters again confirms Binchy as a beguiling raconteur. BOMC featured selection. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
From Binchy, that well-beloved chronicler of things Irish (as in Circle of Friends and Firefly Summer), eight thematically connected stories, plus four thrown in presumably for good measure. The whole lot testifies to this writer's continued fascination with ordinary people and their tics of character, and how their lives never straighten out but grow more bittersweetly convoluted by the heartbeat. A lilac-colored bus is what draws eight Dubliners together for the four-hour trip to and from the village of Rathdoon on the weekends. And a varied collection of souls they are, including: Nancy Morris, the world's stingiest woman, who by the end of her sorry story does not change her ways a bit; a bank porter named Mikey, who despite his habit for telling off-color jokes badly, and for his generally hang-doggish self-presentation, finishes first when he steps into his errant elder brother's shoes (and marriage); Celia, a big, strapping girl who comes up with an ingenious way of convincing her perpetually potted mam that it's time to take herself off to a dry-out clinic; and Rupert, an earnest young fellow who tiptoes out of the closet when he at last determines to bring his male lover home to meet his stodgy, aging parents. Meanwhile, the Dublin Four stories that close the collection, about a very nervous country girl come to the city, a betrayed wife in pursuit of vengeance, and others, suffer from their lack of connecting fiber, and on occasion simply go on for too long. A big plate of mixed appetizers for Binchy fans, some of them nicely concentrated character studies, others predictable and flat.
Booklist Review
This novel comprises eight vignettes--scenes from the lives of people who travel home together each weekend from Dublin to the village of Rathdoon. On the bus, like commuters, they say hello and make dutiful, pleasant conversation, but they reveal little of their private lives, especially their reasons for traveling home so often. As Binchy examines Nancy, Dee, Mikey, Judy, Kev, Rupert, Celia, and Tom, she moves from character study to cops and robbers. For example, Nancy, a parsimonious, unpopular girl, is made to see how her penny-pinching reflects a meanness in her spirit. The source of Nancy's revelation is Celia's mother, Mrs. Ryan, the owner of the local pub, whose drinking has become a frightening problem. Celia must force her mother to realize her addiction and convince her to take the cure. Then there's the character Kev, who has become unwittingly involved in high-level burglary and office theft and comes home each weekend to escape the planned heists. Some of the situations portrayed come to rather pat resolutions, the characters aided by the counsel of family and friends. Other tales are less predictable--and richer due to a tinge of ambiguity. Sentimental in an unmistakably Irish way, Binchy's stories never fail to bring a smile despite the common troubles they portray. Featured selection of the Book-of-the-Month Club. (Reviewed Sept. 15, 1991)0385304943Denise Perry Donavin
Library Journal Review
Two collections of stories, ``The Lilac Bus'' and ``Dublin 4,'' make up Binchy's latest book, a showcase for her marvelous storytelling ability. ``The Lilac Bus'' consists of eight connected stories, each one a revealing portrait of a Dublin worker who goes home to the outlying town of Rathdoon each weekend in Tom Fitzgerald's minibus. Torn between the anonymous independence of Dublin and the claustrophobic safety of Rathdoon, many characters lead secretive double lives: Dee has a married lover, Rupert is gay, Kev is a thief. The more fully realized stories in ``Dublin 4'' have only their Dublin setting in common. Hard hitters dealing with alcoholism, unwed pregnancy, and an unfaithful husband are lightened by the humorous ``Flat in Ringsend'' about a young girl's stab at independence in her first flat. While not as completely satisfying as Binchy novels ( Circle of Friends, LJ 12/90), this is absorbing, entertaining reading with characters to care about. Previewed in Prepub Alert, LJ 7/1/91.-- Patricia Ross, Westerville P.L., Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In the first eight interrelated stories of the dozen that comprise her new collection, Binchy ( Circle of Friends ) introduces eight people who travel on a lilac-colored bus from Dublin every Friday night to spend the weekend in their hometown, Rathdoon. Each of the seven passengers and the bus driver is the protagonist of an individual story; taken together, the tales have the cohesion of a novelette. Though these people have known one another for years, they are totally unaware of the compulsions, anxieties, heartaches and dreams of their fellow travelers. As is gradually revealed, everyone on the bus has a secret; thus the stories have the pull of taffy: having finished one, the reader is hooked on discovering the essence of yet another protagonist's existence. Each story delivers a kick of surprise--and often more than one--as Binchy peels back the layers of her characters' lives with empathy, compassion and not a little humor. In the process, the tales coalesce to portray the social order of Rathdoon. The last four stories are set in Dublin, with a new, equally engrossing cast. Although the pieces differ widely in social setting and circumstance, each features a woman who learns the strength of her mettle through adversity. This gallery of memorable characters again confirms Binchy as a beguiling raconteur. BOMC featured selection. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
From Binchy, that well-beloved chronicler of things Irish (as in Circle of Friends and Firefly Summer), eight thematically connected stories, plus four thrown in presumably for good measure. The whole lot testifies to this writer's continued fascination with ordinary people and their tics of character, and how their lives never straighten out but grow more bittersweetly convoluted by the heartbeat. A lilac-colored bus is what draws eight Dubliners together for the four-hour trip to and from the village of Rathdoon on the weekends. And a varied collection of souls they are, including: Nancy Morris, the world's stingiest woman, who by the end of her sorry story does not change her ways a bit; a bank porter named Mikey, who despite his habit for telling off-color jokes badly, and for his generally hang-doggish self-presentation, finishes first when he steps into his errant elder brother's shoes (and marriage); Celia, a big, strapping girl who comes up with an ingenious way of convincing her perpetually potted mam that it's time to take herself off to a dry-out clinic; and Rupert, an earnest young fellow who tiptoes out of the closet when he at last determines to bring his male lover home to meet his stodgy, aging parents. Meanwhile, the Dublin Four stories that close the collection, about a very nervous country girl come to the city, a betrayed wife in pursuit of vengeance, and others, suffer from their lack of connecting fiber, and on occasion simply go on for too long. A big plate of mixed appetizers for Binchy fans, some of them nicely concentrated character studies, others predictable and flat.
Booklist Review
This novel comprises eight vignettes--scenes from the lives of people who travel home together each weekend from Dublin to the village of Rathdoon. On the bus, like commuters, they say hello and make dutiful, pleasant conversation, but they reveal little of their private lives, especially their reasons for traveling home so often. As Binchy examines Nancy, Dee, Mikey, Judy, Kev, Rupert, Celia, and Tom, she moves from character study to cops and robbers. For example, Nancy, a parsimonious, unpopular girl, is made to see how her penny-pinching reflects a meanness in her spirit. The source of Nancy's revelation is Celia's mother, Mrs. Ryan, the owner of the local pub, whose drinking has become a frightening problem. Celia must force her mother to realize her addiction and convince her to take the cure. Then there's the character Kev, who has become unwittingly involved in high-level burglary and office theft and comes home each weekend to escape the planned heists. Some of the situations portrayed come to rather pat resolutions, the characters aided by the counsel of family and friends. Other tales are less predictable--and richer due to a tinge of ambiguity. Sentimental in an unmistakably Irish way, Binchy's stories never fail to bring a smile despite the common troubles they portray. Featured selection of the Book-of-the-Month Club. (Reviewed Sept. 15, 1991)0385304943Denise Perry Donavin
Library Journal Review
Two collections of stories, ``The Lilac Bus'' and ``Dublin 4,'' make up Binchy's latest book, a showcase for her marvelous storytelling ability. ``The Lilac Bus'' consists of eight connected stories, each one a revealing portrait of a Dublin worker who goes home to the outlying town of Rathdoon each weekend in Tom Fitzgerald's minibus. Torn between the anonymous independence of Dublin and the claustrophobic safety of Rathdoon, many characters lead secretive double lives: Dee has a married lover, Rupert is gay, Kev is a thief. The more fully realized stories in ``Dublin 4'' have only their Dublin setting in common. Hard hitters dealing with alcoholism, unwed pregnancy, and an unfaithful husband are lightened by the humorous ``Flat in Ringsend'' about a young girl's stab at independence in her first flat. While not as completely satisfying as Binchy novels ( Circle of Friends, LJ 12/90), this is absorbing, entertaining reading with characters to care about. Previewed in Prepub Alert, LJ 7/1/91.-- Patricia Ross, Westerville P.L., Ohio (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.