Available:*
Library | Call Number | Status |
---|---|---|
Searching... McMinnville Public Library | Binchy, M. | Searching... Unknown |
Searching... Mount Angel Public Library | LP BINCHY, M. Tara | Searching... Unknown |
Searching... Salem Main Library | LP Binchy, M. | Searching... Unknown |
Bound With These Titles
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Summary
Summary
Ria believed she was the happily married mother of two children right up to the moment when her husband informed her that he was leaving her to be with his young, pregnant girlfriend. A chance encounter introduces Ria to Marilyn, a woman estranged from her husband and struggling to come to terms with the death of her only son. The two women agree to trade houses - one in Ireland, the other in America - each hoping to escape a devastating loss of her own. Tara Road is Maeve Binchy at her haunting, and unforgettable best.
Summary
Ria believed she was the happily married mother of two children right up to the moment when her husband informed her that he was leaving her to be with his young, pregnant girlfriend. A chance encounter introduces Ria to Marilyn, a woman estranged from her husband and struggling to come to terms with the death of her only son. The two women agree to trade houses -- one in Ireland, the other in America -- each hoping to escape a devastating loss of her own.
Summary
Ria Lynch and Marilyn Vine have never met. Ria lives in Tara Road, Dublin, which is filled with family and friends. Marilyn lives in a college town in Connecticut, New England. Two more unlikely friends would be hard to find. Yet a chance phone call brings them together and they decide to exchange homes for the summer.
Summary
Ria lived on Tara Road in Dublin with her dashing husband, Danny, and their two children. She fully believed she was happily married, right up until the day Danny told her he was leaving her to be with his young, pregnant girlfriend. By a chance phone call, Ria meets Marilyn, a woman from New England unable to come to terms with her only son's death and now separated from her husband. The two women exchange houses for the summer with extraordinary consequences, each learning that the other has a deep secret that can never be revealed. Drawn into lifestyles vastly differing from their own, at first each resents the news of how well the other is getting on. Ria seems to have become quite a hostess, entertaining half the neighborhood, which at first irritates the reserved and withdrawn Marilyn, a woman who has always guarded her privacy. Marilyn seems to have become bosom friends with Ria's children, as well as with Colm, a handsome restaurateur, whom Ria has begun to miss terribly. At the end of the summer, the women at last meet face-to-face. Having learned a great deal, about themselves and about each other, they find that they have become, firmly and forever, good friends. A moving story rendered with the deft touch of a master artisan, Tara Road is Maeve Binchy at her very best--utterly beautiful, hauntingly unforgettable, entirely original, and wholly enjoyable.
Author Notes
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Maeve Binchy was born in Dublin, Ireland on May 28, 1940. She received a B.A. from University College in Dublin in 1960. After teaching at a school for girls, she became a journalist, columnist and editor at the Irish Times. By 1979, she was writing plays, a successful television script, and several short story collections.
Her first novel, Light a Penny Candle, was published in 1982. During her lifetime, she wrote more than 20 books including Silver Wedding, Scarlet Feather, Heart and Soul, Minding Frankie, and A Week in Winter. The Lilac Bus and Echoes were made into TV movies, while Circle of Friends, Tara Road and How About You were made into feature films. Her title Chestnut Street is a New York Times Best Seller. She died after a brief illness on July 30, 2012 at the age of 72.
(Bowker Author Biography)
Reviews (16)
Publisher's Weekly Review
In her latest engaging novel, prolific Irish author Binchy returns to the notion of sea change, addressed in her early work Light a Penny Candle (1983), which chronicled the story of an English girl during WWII who goes to live in Ireland. Here, two women who are strangers to each otherone American, one Irishtrade houses for a summer, each to assuage a terrible loss. Ria, happily married to handsome, prosperous (if slick) real estate developer Danny Lynch, lives in a beautiful old home on Dublin's Tara Road, an enviable address. For nearly 20 years, such world as matters to Ria Lynch congregates in her kitchen: her mother and sister, her two children, many friends, kids' chums and Danny's associates, a whole bright web of connection. When Danny, out of the blue, announces he's leaving home to live with his young pregnant mistress, Ria's life explodes, and the fallout touches everyone. In coping with this shattering blow, Ria agrees to an offered house trade with an American woman who once had real estate dealings with her husband. Ria will live two months in suburban Connecticut, while American Marilyn Vine will come to Ireland to absorb (or evade) her own sorrowher son's recent death. Once installed on Tara Road, however, the uptight, remote Marilyn is drawn into Ria's neighborhood dramas; Ria brightens Marilyn's American life as well. While the novel asks questions about marriage (how can basically decent people shred their families, hopes and assumptions, and somehow reconstitute their lives?), the real roots of the story lie in female friendship as a source of strength. The pleasures Binchy offers readers are her lively depiction of social connections, feuds and friendships; secrets, lies, alliances, in short, the thicket of Irish everyday life. The American scenes and characters pale by contrast. As usual, all the characters are basically decent people struggling through the morass of daily existence. While the beginning is slow and the end overtidy, once into the heat of the story, readers will find it a charmer. Major ad/promo; BOMC selection; author tour; 20-city TV satellite tour; simultaneous BDD Audio release. (Mar.) FYI: Tara Road is #1 on the London Times bestseller list. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Once again, Binchy (The Glass Lake, 1995, etc.) memorably limns the lives of ordinary people caught in the traps sprung by life and loving hearts. When Danny Lynch and his young bride-to-be Ria Norris buy No. 16, a large, derelict Victorian house, Tara Road is a rundown Dublin street. Lovingly restored, the house soon becomes a gathering place as neighbors stop by to chat, help out, or eat one of Ria's delicious meals. Ria has loved handsome Danny, a realtor who works for high-flying property tycoon Barney McCarthy, since first meeting him. She enjoys managing her busy domestic life and two children, Annie and Brian; her friends, like Gertie, whose husband beats her; Colm, who's opened a restaurant nearby and worries about his drug-addicted sister; and Rosemary, a beautiful, unmarried businesswoman who owns one of No. 32's new apartments. But the summer when Annie is fourteen and Brian nine, Ria learns that Danny has been dallying with a ``fancy woman,'' now pregnant with his child, and that he wants to marry her. Stunned, Ria impulsively accepts an American woman's surprise telephone request to trade houses for the summer. Marilyn, living in New England, is married but still mourning the death of her teenaged son, Dale, and covets time alone. Once ensconced in her Connecticut home, Ria soon makes new friends, finds work as a caterer, and even begins dating'while also learning the truth about Dale's death. Meanwhile, in Dublin, Ria's pals continue to drop in, at first overwhelming Marilyn, who gradually involves herself in their lives, grows a garden, and discovers one friend's unsuspected betrayal of Ria. The two women, each strengthened by her season abroad, meet briefly before Marilyn flies home. Grateful for one another's support, each feels less heart-sore and more hopeful of happiness ahead. One of Binchy's best. (Book-of-the-month main selection; author tour)
Booklist Review
Binchy has forged a solid reputation with solid novels about domestic situations. Her latest work may not draw new readers, but her fans will find Binchy's talents undiminshed, perhaps even keener. She is a careful writer--a conscientious plotter, to be specific. Detail is slowly layered upon detail as she raises, like a strong edifice, the background to her characters' lives. From there, she weaves an intricate, tightly integrated story--in this instance, about two women, one Irish and the other American, who, at low points in their lives, embark on an interesting mutual experiment: they switch homes for the summer. Ria, in Dublin, goes to live in Marilyn's house in Connecticut and vice versa. Both women seemed to have had it all: husband, nice home, children, and a good environment in which they can thrive in their old age. But coasting along is not to be their lots, and when they spend this peculiar summer ensconced in each other's homes, they also find themselves inhabiting each other's lives. What each woman learns about the other, and, more importantly, what they learn about themselves as they get involved in their odd project is the sum and substance of this warm novel. "Yes, we really took a chance, didn't we?" Ria says to Marilyn at the end of the house-and-life swap. "And how very well it worked out," Marilyn responds. That is what readers will say about the novel, too--how well it worked out. --Brad Hooper
Library Journal Review
Abandoned by her husband, a Dublin woman named Ria meets American Marilyn via the phone, and they end up swapping houseswith surprise results. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In her latest engaging novel, prolific Irish author Binchy returns to the notion of sea change, addressed in her early work Light a Penny Candle (1983), which chronicled the story of an English girl during WWII who goes to live in Ireland. Here, two women who are strangers to each otherone American, one Irishtrade houses for a summer, each to assuage a terrible loss. Ria, happily married to handsome, prosperous (if slick) real estate developer Danny Lynch, lives in a beautiful old home on Dublin's Tara Road, an enviable address. For nearly 20 years, such world as matters to Ria Lynch congregates in her kitchen: her mother and sister, her two children, many friends, kids' chums and Danny's associates, a whole bright web of connection. When Danny, out of the blue, announces he's leaving home to live with his young pregnant mistress, Ria's life explodes, and the fallout touches everyone. In coping with this shattering blow, Ria agrees to an offered house trade with an American woman who once had real estate dealings with her husband. Ria will live two months in suburban Connecticut, while American Marilyn Vine will come to Ireland to absorb (or evade) her own sorrowher son's recent death. Once installed on Tara Road, however, the uptight, remote Marilyn is drawn into Ria's neighborhood dramas; Ria brightens Marilyn's American life as well. While the novel asks questions about marriage (how can basically decent people shred their families, hopes and assumptions, and somehow reconstitute their lives?), the real roots of the story lie in female friendship as a source of strength. The pleasures Binchy offers readers are her lively depiction of social connections, feuds and friendships; secrets, lies, alliances, in short, the thicket of Irish everyday life. The American scenes and characters pale by contrast. As usual, all the characters are basically decent people struggling through the morass of daily existence. While the beginning is slow and the end overtidy, once into the heat of the story, readers will find it a charmer. Major ad/promo; BOMC selection; author tour; 20-city TV satellite tour; simultaneous BDD Audio release. (Mar.) FYI: Tara Road is #1 on the London Times bestseller list. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Once again, Binchy (The Glass Lake, 1995, etc.) memorably limns the lives of ordinary people caught in the traps sprung by life and loving hearts. When Danny Lynch and his young bride-to-be Ria Norris buy No. 16, a large, derelict Victorian house, Tara Road is a rundown Dublin street. Lovingly restored, the house soon becomes a gathering place as neighbors stop by to chat, help out, or eat one of Ria's delicious meals. Ria has loved handsome Danny, a realtor who works for high-flying property tycoon Barney McCarthy, since first meeting him. She enjoys managing her busy domestic life and two children, Annie and Brian; her friends, like Gertie, whose husband beats her; Colm, who's opened a restaurant nearby and worries about his drug-addicted sister; and Rosemary, a beautiful, unmarried businesswoman who owns one of No. 32's new apartments. But the summer when Annie is fourteen and Brian nine, Ria learns that Danny has been dallying with a ``fancy woman,'' now pregnant with his child, and that he wants to marry her. Stunned, Ria impulsively accepts an American woman's surprise telephone request to trade houses for the summer. Marilyn, living in New England, is married but still mourning the death of her teenaged son, Dale, and covets time alone. Once ensconced in her Connecticut home, Ria soon makes new friends, finds work as a caterer, and even begins dating'while also learning the truth about Dale's death. Meanwhile, in Dublin, Ria's pals continue to drop in, at first overwhelming Marilyn, who gradually involves herself in their lives, grows a garden, and discovers one friend's unsuspected betrayal of Ria. The two women, each strengthened by her season abroad, meet briefly before Marilyn flies home. Grateful for one another's support, each feels less heart-sore and more hopeful of happiness ahead. One of Binchy's best. (Book-of-the-month main selection; author tour)
Booklist Review
Binchy has forged a solid reputation with solid novels about domestic situations. Her latest work may not draw new readers, but her fans will find Binchy's talents undiminshed, perhaps even keener. She is a careful writer--a conscientious plotter, to be specific. Detail is slowly layered upon detail as she raises, like a strong edifice, the background to her characters' lives. From there, she weaves an intricate, tightly integrated story--in this instance, about two women, one Irish and the other American, who, at low points in their lives, embark on an interesting mutual experiment: they switch homes for the summer. Ria, in Dublin, goes to live in Marilyn's house in Connecticut and vice versa. Both women seemed to have had it all: husband, nice home, children, and a good environment in which they can thrive in their old age. But coasting along is not to be their lots, and when they spend this peculiar summer ensconced in each other's homes, they also find themselves inhabiting each other's lives. What each woman learns about the other, and, more importantly, what they learn about themselves as they get involved in their odd project is the sum and substance of this warm novel. "Yes, we really took a chance, didn't we?" Ria says to Marilyn at the end of the house-and-life swap. "And how very well it worked out," Marilyn responds. That is what readers will say about the novel, too--how well it worked out. --Brad Hooper
Library Journal Review
Abandoned by her husband, a Dublin woman named Ria meets American Marilyn via the phone, and they end up swapping houseswith surprise results. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In her latest engaging novel, prolific Irish author Binchy returns to the notion of sea change, addressed in her early work Light a Penny Candle (1983), which chronicled the story of an English girl during WWII who goes to live in Ireland. Here, two women who are strangers to each otherone American, one Irishtrade houses for a summer, each to assuage a terrible loss. Ria, happily married to handsome, prosperous (if slick) real estate developer Danny Lynch, lives in a beautiful old home on Dublin's Tara Road, an enviable address. For nearly 20 years, such world as matters to Ria Lynch congregates in her kitchen: her mother and sister, her two children, many friends, kids' chums and Danny's associates, a whole bright web of connection. When Danny, out of the blue, announces he's leaving home to live with his young pregnant mistress, Ria's life explodes, and the fallout touches everyone. In coping with this shattering blow, Ria agrees to an offered house trade with an American woman who once had real estate dealings with her husband. Ria will live two months in suburban Connecticut, while American Marilyn Vine will come to Ireland to absorb (or evade) her own sorrowher son's recent death. Once installed on Tara Road, however, the uptight, remote Marilyn is drawn into Ria's neighborhood dramas; Ria brightens Marilyn's American life as well. While the novel asks questions about marriage (how can basically decent people shred their families, hopes and assumptions, and somehow reconstitute their lives?), the real roots of the story lie in female friendship as a source of strength. The pleasures Binchy offers readers are her lively depiction of social connections, feuds and friendships; secrets, lies, alliances, in short, the thicket of Irish everyday life. The American scenes and characters pale by contrast. As usual, all the characters are basically decent people struggling through the morass of daily existence. While the beginning is slow and the end overtidy, once into the heat of the story, readers will find it a charmer. Major ad/promo; BOMC selection; author tour; 20-city TV satellite tour; simultaneous BDD Audio release. (Mar.) FYI: Tara Road is #1 on the London Times bestseller list. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Once again, Binchy (The Glass Lake, 1995, etc.) memorably limns the lives of ordinary people caught in the traps sprung by life and loving hearts. When Danny Lynch and his young bride-to-be Ria Norris buy No. 16, a large, derelict Victorian house, Tara Road is a rundown Dublin street. Lovingly restored, the house soon becomes a gathering place as neighbors stop by to chat, help out, or eat one of Ria's delicious meals. Ria has loved handsome Danny, a realtor who works for high-flying property tycoon Barney McCarthy, since first meeting him. She enjoys managing her busy domestic life and two children, Annie and Brian; her friends, like Gertie, whose husband beats her; Colm, who's opened a restaurant nearby and worries about his drug-addicted sister; and Rosemary, a beautiful, unmarried businesswoman who owns one of No. 32's new apartments. But the summer when Annie is fourteen and Brian nine, Ria learns that Danny has been dallying with a ``fancy woman,'' now pregnant with his child, and that he wants to marry her. Stunned, Ria impulsively accepts an American woman's surprise telephone request to trade houses for the summer. Marilyn, living in New England, is married but still mourning the death of her teenaged son, Dale, and covets time alone. Once ensconced in her Connecticut home, Ria soon makes new friends, finds work as a caterer, and even begins dating'while also learning the truth about Dale's death. Meanwhile, in Dublin, Ria's pals continue to drop in, at first overwhelming Marilyn, who gradually involves herself in their lives, grows a garden, and discovers one friend's unsuspected betrayal of Ria. The two women, each strengthened by her season abroad, meet briefly before Marilyn flies home. Grateful for one another's support, each feels less heart-sore and more hopeful of happiness ahead. One of Binchy's best. (Book-of-the-month main selection; author tour)
Booklist Review
Binchy has forged a solid reputation with solid novels about domestic situations. Her latest work may not draw new readers, but her fans will find Binchy's talents undiminshed, perhaps even keener. She is a careful writer--a conscientious plotter, to be specific. Detail is slowly layered upon detail as she raises, like a strong edifice, the background to her characters' lives. From there, she weaves an intricate, tightly integrated story--in this instance, about two women, one Irish and the other American, who, at low points in their lives, embark on an interesting mutual experiment: they switch homes for the summer. Ria, in Dublin, goes to live in Marilyn's house in Connecticut and vice versa. Both women seemed to have had it all: husband, nice home, children, and a good environment in which they can thrive in their old age. But coasting along is not to be their lots, and when they spend this peculiar summer ensconced in each other's homes, they also find themselves inhabiting each other's lives. What each woman learns about the other, and, more importantly, what they learn about themselves as they get involved in their odd project is the sum and substance of this warm novel. "Yes, we really took a chance, didn't we?" Ria says to Marilyn at the end of the house-and-life swap. "And how very well it worked out," Marilyn responds. That is what readers will say about the novel, too--how well it worked out. --Brad Hooper
Library Journal Review
Abandoned by her husband, a Dublin woman named Ria meets American Marilyn via the phone, and they end up swapping houseswith surprise results. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In her latest engaging novel, prolific Irish author Binchy returns to the notion of sea change, addressed in her early work Light a Penny Candle (1983), which chronicled the story of an English girl during WWII who goes to live in Ireland. Here, two women who are strangers to each otherone American, one Irishtrade houses for a summer, each to assuage a terrible loss. Ria, happily married to handsome, prosperous (if slick) real estate developer Danny Lynch, lives in a beautiful old home on Dublin's Tara Road, an enviable address. For nearly 20 years, such world as matters to Ria Lynch congregates in her kitchen: her mother and sister, her two children, many friends, kids' chums and Danny's associates, a whole bright web of connection. When Danny, out of the blue, announces he's leaving home to live with his young pregnant mistress, Ria's life explodes, and the fallout touches everyone. In coping with this shattering blow, Ria agrees to an offered house trade with an American woman who once had real estate dealings with her husband. Ria will live two months in suburban Connecticut, while American Marilyn Vine will come to Ireland to absorb (or evade) her own sorrowher son's recent death. Once installed on Tara Road, however, the uptight, remote Marilyn is drawn into Ria's neighborhood dramas; Ria brightens Marilyn's American life as well. While the novel asks questions about marriage (how can basically decent people shred their families, hopes and assumptions, and somehow reconstitute their lives?), the real roots of the story lie in female friendship as a source of strength. The pleasures Binchy offers readers are her lively depiction of social connections, feuds and friendships; secrets, lies, alliances, in short, the thicket of Irish everyday life. The American scenes and characters pale by contrast. As usual, all the characters are basically decent people struggling through the morass of daily existence. While the beginning is slow and the end overtidy, once into the heat of the story, readers will find it a charmer. Major ad/promo; BOMC selection; author tour; 20-city TV satellite tour; simultaneous BDD Audio release. (Mar.) FYI: Tara Road is #1 on the London Times bestseller list. (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Once again, Binchy (The Glass Lake, 1995, etc.) memorably limns the lives of ordinary people caught in the traps sprung by life and loving hearts. When Danny Lynch and his young bride-to-be Ria Norris buy No. 16, a large, derelict Victorian house, Tara Road is a rundown Dublin street. Lovingly restored, the house soon becomes a gathering place as neighbors stop by to chat, help out, or eat one of Ria's delicious meals. Ria has loved handsome Danny, a realtor who works for high-flying property tycoon Barney McCarthy, since first meeting him. She enjoys managing her busy domestic life and two children, Annie and Brian; her friends, like Gertie, whose husband beats her; Colm, who's opened a restaurant nearby and worries about his drug-addicted sister; and Rosemary, a beautiful, unmarried businesswoman who owns one of No. 32's new apartments. But the summer when Annie is fourteen and Brian nine, Ria learns that Danny has been dallying with a ``fancy woman,'' now pregnant with his child, and that he wants to marry her. Stunned, Ria impulsively accepts an American woman's surprise telephone request to trade houses for the summer. Marilyn, living in New England, is married but still mourning the death of her teenaged son, Dale, and covets time alone. Once ensconced in her Connecticut home, Ria soon makes new friends, finds work as a caterer, and even begins dating'while also learning the truth about Dale's death. Meanwhile, in Dublin, Ria's pals continue to drop in, at first overwhelming Marilyn, who gradually involves herself in their lives, grows a garden, and discovers one friend's unsuspected betrayal of Ria. The two women, each strengthened by her season abroad, meet briefly before Marilyn flies home. Grateful for one another's support, each feels less heart-sore and more hopeful of happiness ahead. One of Binchy's best. (Book-of-the-month main selection; author tour)
Booklist Review
Binchy has forged a solid reputation with solid novels about domestic situations. Her latest work may not draw new readers, but her fans will find Binchy's talents undiminshed, perhaps even keener. She is a careful writer--a conscientious plotter, to be specific. Detail is slowly layered upon detail as she raises, like a strong edifice, the background to her characters' lives. From there, she weaves an intricate, tightly integrated story--in this instance, about two women, one Irish and the other American, who, at low points in their lives, embark on an interesting mutual experiment: they switch homes for the summer. Ria, in Dublin, goes to live in Marilyn's house in Connecticut and vice versa. Both women seemed to have had it all: husband, nice home, children, and a good environment in which they can thrive in their old age. But coasting along is not to be their lots, and when they spend this peculiar summer ensconced in each other's homes, they also find themselves inhabiting each other's lives. What each woman learns about the other, and, more importantly, what they learn about themselves as they get involved in their odd project is the sum and substance of this warm novel. "Yes, we really took a chance, didn't we?" Ria says to Marilyn at the end of the house-and-life swap. "And how very well it worked out," Marilyn responds. That is what readers will say about the novel, too--how well it worked out. --Brad Hooper
Library Journal Review
Abandoned by her husband, a Dublin woman named Ria meets American Marilyn via the phone, and they end up swapping houseswith surprise results. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.