Publisher's Weekly Review
Immensely popular in Japan, the author's first novel to be published here is a comic combination of disparate styles: a mock-hardboiled mystery, a metaphysical speculation and an ironic first-person account of an impossible quest. The narrator is a modern Japanese yuppie: divorced, in a mildly exciting relationship and a much less exciting job as an ad copywriter, he lives unexceptionally until a photograph throws his life into chaos. The snapshot, which he uses to illustrate a newsletter, shows a field of sheep with one unique crossbreed, and the picture is special enough to have attracted the attention of both the nomadic friend who sent it to him and a right-wing Mr. Big who, moribund, wants the source found before he dies. The Boss's henchman, a sleek, scary majordomo, gives the narrator one month to track it down, and the story that ensues is a postmodern detective novel in which dreams, hallucinations and a wild imagination are more important than actual clues. With the help of a fluid, slangy translation, Murakami emerges as a wholly original talent. $30,000 ad/promo; Literary Guild and Doubleday Book Club alternates. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Choice Review
Published in 1982 in Japan, this strikingly original novel now appears for the first time in the West. Murakami, a writer whose domestic sales have been phenomenal, even in terms of the book-mad Japanese market has written a suspenseful quest story ostensibly premised on, of all things, a sheep with mysterious markings and the locale where it had been photographed. The book succeeds as fiction even as it seems a natural subject for cinematic treatment. Its narrator is a fellow pushing 30, who has fallen out with his wife and in with a woman whose ears obsess him. But to begin plot summary here is only to obfuscate. Displaying few of the traditional adornments of specifically Japanese fiction, A Wild Sheep Chase manages to ring international chimes: its characters are familiar with what is being read and listened to in Europe and America; and indeed, there are inklings of magic realism here, not to mention the films of Antonioni. The author has himself translated a number of contemporary American fictionists into Japanese--not, apparently including Thomas Pynchon, though that writer seems to have been familiar to him as well. But in a sense, the novel is also a voyage into theJapanese past, as the pursuit of the "strayed" sheep takes the narrator into the era of the settling of Hokkaido, and into the interior of that island itself. This is fascinating reading made easier by the felicitous translation by Alfred Birnbaum. Recommended. -J. M. Ditsky, University of Windsor
Library Journal Review
This novel, the American debut of a popular contemporary Japanese writer, will have a familiar ring to Western ears. The narrative moves adroitly through mystery, fable, pensive realism, and modernist absurdity to tell the tale--at least on the surface--of a Japanese man caught up in a puzzling quest for a somewhat mystical sheep. The spare style echoes Raymond Carver, Dashiell Hammett, and Raymond Chandler, with matter-of-fact absurdities reminiscent of John Irving and, in less inspired moments, Tom Robbins. While the climax of the story is somewhat unrewarding, many readers will enjoy being pulled along by the playful and engaging style and fluid structure. Interesting as an example of current Japanese writing and as an unusually hip and irreverent look at contemporary Japanese society, this would be a nice addition to larger fiction collections.-- Mark Woodhouse, Elmira Coll., N.Y. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.