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|---|---|---|
Searching... Monmouth Public Library | Fic (m) Roy, L. 2011 | Searching... Unknown |
Searching... Salem Main Library | Roy, L. | Searching... Unknown |
Searching... Silver Falls Library | MYS ROY | Searching... Unknown |
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Summary
Summary
"A remarkably assured debut novel. Rich and evocative, Lori Roy's voice is a welcome addition to American fiction." -Dennis Lehane
For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died.
While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm.
And then a local girl disappears, catapulting the family headlong into a dead man's curve...
On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way.
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Author Notes
Lori Roy was born and raised in the Midwest, where she was a tax accountant before turning her focus to writing. Roy lives with her family in west central Florida. This is her first novel.
Reviews (4)
Publisher's Weekly Review
Set in the mid '60s, Roy's outstanding debut melds strong characters and an engrossing plot with an evocative sense of place. When Negro boys start phoning Elaine, Arthur Scott's teenage daughter, Arthur decides it's time to leave Detroit and return to the small Kansas town that he left 20 years earlier after his sister Eve's mysterious death. His wife, Celia, resents the move that will put her close to in-laws she barely knows and that will change her family dynamic. That Arthur's younger daughter, Eve-ee, resembles her late aunt unsettles Arthur's older sister, Ruth, and Ruth's husband, Ray, who have never seen Eve-ee before. When a neighbor's child disappears, suspicion uncomfortably settles on Ray, who was suspected in Eve's death. Roy couples a vivid view of the isolation and harshness of farm life with a perceptive look at the emotions that can rage beneath the surface. This Midwestern noir with gothic undertones is sure to make several 2011 must-read lists. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.
Booklist Review
After a self-imposed exile, Arthur Scott moves his wife and children from the tumult of 1960s Detroit to the wind-swept plains of his hometown in Kansas. A secret is lurking in this small village, and it has something to do with the Scott family. Years ago, Arthur's beautiful older sister died mysteriously. Now, another young girl disappears without a trace. There are also rumors of an escaped convict on the loose. Meanwhile, Arthur's only living sister is beaten by her abusive husband and must seek refuge. Celia, Arthur's wife, watches as events unfold around her, all the time questioning whether they are somehow related. In her debut mystery, Roy excels at creating the kind of ominous mood that is unique to the novel's small-town setting, in which the church holds sway, and family secrets are locked-up tight. Terrifying and touching, the novel is captivating from beginning to end.--Paulson, Heather Copyright 2010 Booklist
New York Review of Books Review
I'M always stumped when someone asks me to find them "a good mystery," because I might recommend a serial killer thriller like Jo Nesbo's fiendishly clever novel THE SNOWMAN (Knopf, $25.95) to someone hankering for a civilized British detective story like Peter Lovesey's STAGESTRUCK (Soho Crime, $25). So let's play favorites - but pick your poison first. FAVORITE BOOK The final exit of a beloved sleuth is the focal point of my choice: THE TROUBLED MAN (Knopf, $26.95). Henning Mankell makes it clear that his brilliant if chronically depressed Swedish detective, Kurt Wallander, has solved his last case. In the course of investigating a political conspiracy that dates back to the cold war, Wallander comes to realize "how little he actually knew about the world he had lived in" and how inadequate his efforts to fix that broken world have proved. Although it accounts for his perpetual mood of despair, that insight also makes him a hero for this age of anxiety. FAVORITE NEW SLEUTH George Pelecanos's new protagonist. Spero Lucas, is not only younger and friskier than most private eyes, he's also untainted by the cynicism that goes with the profession. Making his first appearance in THE CUT (Reagan Arthur/Little, Brown, $25.99), Lucas brings his lusty appetites and taste for danger to a vivid narrative about gang wars in Washington, D.C. The big question: Can Pelecanos keep his young hero from flaming out? FAVORITE DEBUT NOVEL/FAVORITE ACTION THRILLER Sebastian Rotella scores twice for TRIPLE CROSSING (Mulholland/Little, Brown, $24.99), which begins on the San Diego-Tijuana border and sends good guys from both sides of the fence to combat drug smugglers and terrorists in the badlands of South America. FAVORITE COZY That would be A TRICK OF THE LIGHT (Minotaur, $25.99), Louise Penny's mystery starring Armand Gamache of the Sûreté du Québec and set in the enchanting village of Three Pines. FAVORITE REGIONAL MYSTERY In SHOCK WAVE (Putnam, $27.95), John Sandford drags Virgil Flowers away from an all-girls volleyball tournament and dispatches him to Butternut Falls, where a bomber is intent on keeping out a big-box store. FAVORITE SUSPENSE NOVEL Cara Hoffman takes on rural poverty, domestic abuse and teenage violence in her first novel, SO MUCH PRETTY (Simon & Schuster, $25), which watches a family of urbanites come to grief in upstate New York. Runner-up is another novel on the same theme: BENT ROAD (Dutton, $25.95), in which Lori Roy observes the breakdown of a family that has moved to Kansas to escape racial tensions in 1960s Detroit. FAVORITE MYSTERY WITH A SOCIAL CONSCIENCE A tie between THE END OF THE WASP SEASON (Reagan Arthur/ Little, Brown, $25.99), by Denise Mina, and THE BOY IN THE SUITCASE (Soho, $24), by the Danish authors Lene Kaaberbol and Agnete Friis. Mina's gritty Glasgow procedural features a female cop who takes pity on a 15-year-old killer because she's witnessed the neglect that can produce such damaged children. The criminal mistreatment of children is also the focus of the Danish thriller, which follows the efforts of a nurse to identify the 3-year-old boy she rescues at the Copenhagen train station. FAVORITE NOIR Antiheroes don't get much darker than the protagonist of James Sallis's moody existential mystery, THE KILLER IS DYING (Walker, $24), a hit man who wants to make one last clean kill before he dies. But I have to go with the rogue Scott Phillips introduces in THE ADJUSTMENT (Counterpoint, $25). This prince of a fellow made a killing pimping and working the black market as an Army quartermaster in Rome during World War II. But peacetime life in Wichita is so dull it takes all his ingenuity to come up with a new way to make a dishonest living. FAVORITE SUPERNATURAL MYSTERY Michael Koryta easily takes top honors for two eerie novels, THE CYPRESS HOUSE (Little, Brown, $24.99), a 1930s gangster story with spooky undertones, and THE RIDGE (Little, Brown, $24.99), a ghost story set in an old mining region of Kentucky. FAVORITE HISTORICAL MYSTERY If the category were narrowed to World War II-era novels, it would be a tossup between FIELD GRAY (Marian Wood/Putnam, $26.95), the darkest of Philip Kerr's Berlin stories, and David Downing's POTSDAM STATION (Soho, $25), with its horrific scenes of Berlin falling to the Red Army. But in an open field, top honors go to C.J. Sansom for HEARTSTONE (Viking, $27.95), a Tudor mystery that captures the chaotic state of England in the aftermath of Henry VIII's ill-conceived invasion of France. FAVORITE PERFORMANCE BY AN OLD PRO That's a tough one in a year that saw top-drawer work from Michael Connelly in THE FIFTH WITNESS (Little, Brown, $27.99). James Lee Burke in FEAST DAY OF FOOLS (Simon & Schuster, $26.99) and Thomas Perry in THE INFORMANT (Otto Penzler/ Houghton Mifflin Harcourt, $27). Sue Grafton earns special mention for keeping Kinsey Millhone engaged and endearing through her 22nd alphabet mystery, V IS FOR VENGEANCE (Marian Wood/Putnam, $27.95). But for sentimental reasons, I'm going with Lawrence Block's nostalgic novel, A DROP OF THE HARD STUFF (Mulholland/ Little, Brown, $25.99), set in New York in the 1970s, when Matt Scudder was still a working cop and crime was still "the leading occupation" in his Hell's Kitchen neighborhood.
Library Journal Review
Returning to rural Kansas after the 1967 Detroit riots, Arthur and Celia Scott and their three children find their quest for a calmer, safer life shattered by the disappearance of a neighbor's child. Roy's exceptional first novel is full of tension, complex characters, and deftly applied gothic overtones. (LJ 2/1/11) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.