Kirkus Review
Since political journalist Wills has become Henry R. Luce Professor of American Culture and Public Policy (at Northwestern U.), he has been applying himself to topics related to the American Founding. This latest, an interpretation of Washington as seen by Washington himself, by his contemporaries, and by some of his earliest biographers, portraitists, and sculptors, should have more general interest than earlier Wills studies on the Declaration and the Federalist papers, if not any greater scholarly respect. Wills' depiction of Washington as a new kind of hero, a civic hero, is certainly accurate; it's just as certainly uninspired. Wills has no trouble showing Washington as a man with a theatrical flair who advanced his reputation and standing through a series of resignations; first as commander of the revolutionary army, then as president. Both series of moves were carefully prepared and carefully executed (Washington knew, for instance, that his presidential resignation would carry even greater weight if his Farewell Address--not his title--were carried in the newspapers after he had actually departed for Virginia); and both showed a man who knew when to accept power and when to give it up. It was not surprising, then, that while Washington was often tagged a Moses or a Caesar, it was the secular image of Cincinnatus, the plowman who saved Rome and then returned to his plow, that made the most sense. The terms of civic virtue, as the American revolutionaries themselves understood, demanded a humble leader, a citizen. When Mason Weems hung the Cincinnatus tag on Washington in the first short edition of his Life of Washington (1800), it stuck tight. Wills says that the public uproar over Horatio Greenough's statue of Washington for the Capitol rotunda derived from the statue's superhuman qualities, while Gilbert Stuart's portraits of Washington in simple civilian attire were warmly received. Wills cites the Scottish Enlightenment once again for the importance of the concept of public opinion--setting the stage for Washington's awareness of the importance of gesture, and for Jefferson's awareness of the need for new heroes, of which Washington was the ideal type. The picture here of Washington as the paragon of civic virtue does nothing to tarnish that image, and even if it only reinforces what academics already know, it does at least spread the word around. Copyright ©Kirkus Reviews, used with permission.