Available:*
Library | Call Number | Status |
|---|---|---|
Searching... McMinnville Public Library | Kline, C. | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
From the #1 New York Times bestselling author of the smash bestseller Orphan Train, a stunning and atmospheric novel of friendship, passion, and art, inspired by Andrew Wyeth's mysterious and iconic painting Christina's World.
"Later he told me that he'd been afraid to show me the painting. He thought I wouldn't like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won't stay hidden."
To Christina Olson, the entire world was her family's remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than twenty years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the twentieth century.
As she did in her beloved smash bestseller Orphan Train, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America's history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists.
Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.
Author Notes
Christina Baker Kline was born in 1964 in Cambridge, England. She received a BA in English from Yale University, a MA in literature from Cambridge University, and a MFA from the University of Virginia. Her essays and articles have appeared in several periodicals including The San Francisco Chronicle, the Literarian, Coastal Living, More, and Psychology Today. Kline served as Writer-in-Residence at Fordham University from 2007 to 2011, where she taught graduate and undergraduate creative writing and literature. She also teaches in the Fordham-in-London program at the University of London, Heythrop College. She has taught literature and creative writing at Yale Univeristy, NYU, the University of Virginia, and Drew University, and has served as Writer-in-Residence at the Virginia Center for the Creative Arts.
She is the author of several novels including Sweet Water, Desire Lines, The Way Life Should Be, Bird in Hand, Orphan Train, and A Piece of the World. She is also the co-editor, with Anne Burt, of About Face: Women Write about What They See When They Look in the Mirror and the co-author, with Christina L. Baker, of The Conversation Begins: Mothers and Daughters Talk about Living Feminism. She has edited three other anthologies: Child of Mine, Room to Grow, and Always Too Soon.
(Bowker Author Biography)
Reviews (5)
School Library Journal Review
Applying her research from writing her best seller Orphan Train as well as her own experiences growing up in Maine, Kline has created an authentic portrayal of Christina Olson, the real-life inspiration for Christina's World, one of Andrew Wyeth's most iconic paintings. Wyeth and his young wife summered near the Olson homestead between the 1930s and 1960s, and he often used Olson and her brother as models in his work. In this novel, Christina's story is told in first person and includes flashbacks to help readers better understand how differently her life might have turned out if not for her circumstances. Christina and her brother Al sacrifice chances of finding true love and, in her case, the opportunity to become a teacher, because they have to keep the family farm running and care for their ailing parents. Day-to-day survival with no electricity in rural Maine is described in vivid detail. Such an unforgiving environment would be challenging enough for someone able-bodied but was far more difficult for Christina, who had a painful degenerative disease that eventually made it impossible for her to walk. Her struggles are portrayed in Christina's World, where she is shown dragging herself across a field. Thoughtful teens who appreciate literary fiction will find Christina's pragmatism and pride admirable. VERDICT Fans of historical fiction or those wanting to know more about this period of Andrew Wyeth's life will not want to miss this inspirational slice of history.-Sherry Mills, Hazelwood East High School, St. Louis © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
The world of the woman immortalized in Andrew Wyeth's haunting painting Christina's World is imagined in Kline's (Orphan Train) intriguing novel. The artist meets Christina Olson in 1939 when he summers near her home in Cushing, Maine, introduced by Betsy James, the young woman who knew the Olsons and would become Wyeth's wife. The story is told from Christina's point of view, from the moment she reflects on the painting; it then goes back and forth through her history, from her childhood through the time that Wyeth painted at her family farm, using its environs and Christina and her brother as subjects. First encountering Christina as a middle-aged woman, Wyeth saw something in her that others did not. Their shared bond of physical infirmity (she had undiagnosed polio; he had a damaged right foot and bad hip) enables her to open up about her family and her difficult life, primarily as a shut-in, caring for her family, cooking, cleaning, sewing, and doing laundry-all without electricity and despite her debilitating disease. Hope of escape, when her teacher offers her the chance to take her place, was summarily quashed by her father. Her first and only romance with a summer visitor from Boston has an ignoble end when he marries someone in his social class. Through it all, the author's insightful, evocative prose brings Christina's singular perspective and indomitable spirit to life. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
Kline (Orphan Train, 2013) takes Andrew Wyeth's iconic and enigmatic painting Christina's World as the inspiration for her new novel. The story knits together the period in the 1940s when Wyeth sets up a studio in an old farmhouse on Hathorne Point in Cushing, Maine, where 46-year-old Christina Olson lives with her brother Alvaro, and where, at age three, she was struck by an illness that seems to mark the onset of her lifelong infirmities. She grows up smart and tenacious but circumscribed by duty and disability, never moving away from the house that appears in Wyeth's picture and is full of her family's past. Her education is cut short because of work to be done at home. A romance with a Harvard student ends in crushing disappointment. There is not much in the way of plot, but readers will savor the quotidian details that compose Christina's quiet country life. Orphan Train was a best-seller and popular book-discussion choice, so expect demand.--Quinn, Mary Ellen Copyright 2017 Booklist
New York Review of Books Review
THE UNDERGROUND RAILROAD, by Colson Whitehead. (Anchor, $16.95.) Whitehead's boldly inventive novel follows Cora, a slave in Georgia making her escape to freedom on a literal underground railroad. As she encounters horror after horror, the story trains an eye on aspects of black history too often co-opted by white narrators. This book, one of the Book Review's 10 best of 2016, won the Pulitzer Prize for Fiction in 2017. CANNIBALISM: A Perfectly Natural History, by Bill Schutt. (Algonquin, $16.95.) It wasn't just the Donner party. Cannibalism is often the rule, not the exception, for many species. Schutt's breezy tone helps keep disgust at bay, and the book is full of surprising detail: In China, for example, elites during the Yuan dynasty (1271-1368) regularly feasted on humans, and the practice continued well into the late 1960s. A PIECE OF THE WORLD, by Christina Baker Kline. (William Morrow/HarperCollins, $16.99.) Kline imagines the inner life of the woman with polio crawling across a desolate field in Andrew Wyeth's iconic painting, "Christina's World." "Both painter and writer have a fine-grained feel for the setting," our reviewer, Becky Aikman, wrote. "Christina's yearning, her determination, her will to dream, occupy the emotional center in both the novel and the painting." PHENOMENA: The Secret History of the U.S. Government's Investigation Into Extrasensory Perception and Psychokinesis, by Annie Jacobsen. (Back Bay/Little, Brown, $17.99.) For decades, the military has tried to harness the supernatural - to find hostages, for example, or to read foreign governments' minds. Jacobsen's account is full of entertaining anecdotes; she catalogs the seers, the spoon-benders and the researchers who administered ESP tests to plants, all funded in the interest of national security. ILL WILL, by Dan Chaon. (Ballantine, $17.) This dark literary thriller deals with recovered memories, satanistic ritual and childhood trauma. Dustin, a psychologist in his 40s, is grappling with a tragic past: His parents, aunt and uncle were murdered and his adopted brother, Rusty, was convicted of the crime. But new DNA evidence helped overturn the ruling, and Rusty's exoneration stirs up long-repressed guilt and fear. MY UTMOST: A Devotional Memoir, by Macy Halford. (Vintage, $17.) "My Utmost for His Highest," a book loved by evangelicals, was central to Halford's faith when she was growing up. Years later, as her beliefs shifted, she investigated the book's origins and its author, Oswald Chambers. Her memoir is both a mediation on "a complicated nostalgia" for the faith of her childhood and an intellectual biography of Chambers.
Library Journal Review
Andrew Wyeth's painting Christina's World is considered to be one of his best works. It features a woman in a pink dress crawling up a grassy hillside toward a stark wood-framed house. The colors are muted and the overall effect is bleak. The painting's namesake was a real person, Christina -Olson, who lived on her family's seaside farm in Maine and suffered from a degenerative condition now believed to be Charcot-Marie-Tooth Disease. In this finely drawn novel, the author of Orphan Train imagines what it was like to be Christina, consigned to a hard life running a farm even as her world gradually shrinks owing to a debilitating and mysterious ailment. Introduced to Wyeth by a family friend, Christina and her home inspire the artist. He visits daily, setting up a studio in an upstairs room. He admires her quick mind and perseverance. She appreciates his artistic talent and that he does not pity her. As Kline pieces together different eras of Christina's life, her word portrait depicts a stubborn, determined woman. VERDICT Kline expertly captures the essence of -Wyeth's iconic masterpiece and its real-life subject, crafting a moving work of historical fiction. [See Prepub Alert, 8/15/16.]--Christine -Perkins, Whatcom Cty. Lib. Syst., -Bellingham, WA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.