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Cover image for The graveyard book
Format:
Title:
The graveyard book
ISBN:
9780060530921

9780060530938

9780060530945

9780062081551

9780329709020

9780062349187
Edition:
First edition.
Publication:
New York : HarperCollins Pub., [2008]
Physical Description:
312 pages : illustrations ; 22 cm
Contents:
How Nobody came to the graveyard -- The new friend -- The hounds of God -- The witch's headstone -- Danse Macabre -- Interlude: The convocation -- Nobody Owens' school days -- Every man Jack -- Leavings and partings.
Summary:
After the grisly murder of his entire family, a toddler wanders into a graveyard where the ghosts and other supernatural residents agree to raise him as one of their own.
Reading Level:
820 Lexile.
Program Information:
Accelerated Reader/Renaissance Learning MG+ 5.1 10.

Accelerated Reader AR MG+ 5.1 10.0.

Accelerated Reader AR-ATOS 5.1.

Accelerated Reader Grades 5-8 5.1 10.0 Quiz 125535 English fiction, vocabulary quiz available.

Reading Counts RC 6-8 5.4 17 Quiz: 45222.
Added Author:
Holds:

Available:*

Library
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J FIC GAIMAN 2009
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YA FICTION - GAIMAN
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YA FICTION - GAIMAN
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YA GAIMAN
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FICTION - GAIMAN
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FICTION - GAIMAN
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Gaiman
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Gaiman
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Gaiman
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YA GAIMAN
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J FICTION GAIMAN
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J AWARDS GAIMAN 2009
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YA FICTION GAIMAN
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J Gaiman, N.
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J Gaiman, N.
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YA GAIMAN
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T GAIMAN, N
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T GAIMAN, N
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Gaiman
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On Order

Summary

Summary

The original hardcover edition of a perennial favorite, The Graveyard Book by Neil Gaiman, which has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.

Bod is an unusual boy who inhabits an unusual place--he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings--such as the ability to Fade so mere mortals cannot see him.

Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?

The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book," a Horn Book Honor, and Audio Book of the Year.


Author Notes

Neil Gaiman was born in Portchester, England on November 10, 1960. He worked as a journalist and freelance writer for a time, before deciding to try his hand at comic books. Some of his work has appeared in publications such as Time Out, The Sunday Times, Punch, and The Observer. His first comic endeavor was the graphic novel series The Sandman. The series has won every major industry award including nine Will Eisner Comic Industry Awards, three Harvey Awards, and the 1991 World Fantasy Award for best short story, making it the first comic ever to win a literary award.

He writes both children and adult books. His adult books include The Ocean at the End of the Lane, which won a British National Book Awards, and the Locus Award for Best Fantasy Novel for 2014; Stardust, which won the Mythopoeic Award as best novel for adults in 1999; American Gods, which won the Hugo, Nebula, Bram Stoker, SFX, and Locus awards; Anansi Boys; Trigger Warning: Short Fictions and Disturbances; and The View from the Cheap Seats: Selected Nonfiction, which is a New York Times Bestseller. His children's books include The Day I Swapped My Dad for Two Goldfish; Coraline, which won the Elizabeth Burr/Worzalla, the BSFA, the Hugo, the Nebula, and the Bram Stoker awards; The Wolves in the Walls; Odd and the Frost Giants; The Graveyard Book, which won the Newbery Award in 2009 and The Sandman: Overture which won the 2016 Hugo Awards Best Graphic Story.

(Bowker Author Biography)


Reviews 7

Publisher's Weekly Review

A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: "There was a hand in the darkness, and it held a knife." Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires--and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition--not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10-up. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved


Horn Book Review

Read by the author. (Middle School, High School)When his family is murdered by "the man Jack," a baby inadvertently escapes by toddling into the local graveyard. He is adopted by two kindhearted ghosts, Mr. and Mrs. Owen, who dub him "Nobody." This coming-of-age novel-winner of the 2009 Newbery award -- traces Bod's maturation as he encounters witches, ghouls, and vampires en route to becoming a self-reliant young man. Using a wide range of inflections and accents, Gaiman-as-narrator dramatically brings his characters to life; his meticulous phrasing and wit are as sharp as the man Jack's blade. Gaiman delivers an enthralling concoction of suspense, adventure, and humor in a Gothic fairy tale that's even more memorable as an audiobook. From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Booklist Review

*Starred Review* While a highly motivated killer murders his family, a baby, ignorant of the horrific goings-on but bent on independence, pulls himself out of his crib and toddles out of the house and into the night. This is most unfortunate for the killer, since the baby was his prime target. Finding his way through the barred fence of an ancient graveyard, the baby is discovered by Mr. and Mrs. Owens, a stable and caring couple with no children of their own and who just happen to be dead. After much debate with the graveyard's rather opinionated denizens, it is decided that the Owenses will take in the child. Under their care and the sponsorship of the mysterious Silas, the baby is named Nobody and raised among the dead to protect him from the killer, who relentlessly pursues him. This is an utterly captivating tale that is cleverly told through an entertaining cast of ghostly characters. There is plenty of darkness, but the novel's ultimate message is strong and life affirming. Although marketed to the younger YA set, this is a rich story with broad appeal and is highly recommended for teens of all ages.--Koelling, Holly Copyright 2008 Booklist


New York Review of Books Review

WITH best-selling books for adults and children - including "Coraline," a brand-new animated movie - Neil Gaiman has carved out a passionate following in the world of fairy tale and fantasy. Now his latest novel for children, "The Graveyard Book," has won a top literary honor as well: this year's Newbery Medal for the most distinguished contribution to children's literature. After the prize was announced last month, a debate ensued among teachers, librarians and critics about whether the selection of a popular author was a departure for the Newbery, one of the most prestigious prizes in children's books - and, if so, whether it was a welcome one. Gaiman himself seemed surprised by the honor. "There are books that are best sellers and books that are winners," he said in an interview with The New York Times. But none of this will matter to readers for "The Graveyard Book," by turns exciting and witty, sinister and tender, shows Gaiman at the top of his form. The story opens with a pretty terrifying situation: a man has slaughtered a family in the middle of the night, all save a toddler who escapes unnoticed, walking out the front door and away from the mayhem. (Parents may worry about the violence, but they shouldn't. The action isn't described, and the fourth-grade class I read the book to had no problem whatsoever.) Up the hill trots the toddler, to a graveyard full of ghosts who take him in. The tone shifts elegantly from horror to suspense to domesticity, and by the end of the first chapter Gaiman has established the graveyard as the story's center. Within its reassuringly locked gates, the boy finds a safe and cozy place to grow up. (Gaiman has said that "The Jungle Book" was one of his influences.) Among the dead are teachers, workers, wealthy prigs, romantics, pragmatists and even a few children - a village ready to raise a living child. And they do, ably led by Silas, an enigmatic character who is not really one of them, being not quite dead and not quite living. In this moonlit place, the boy - who is given the name Nobody Owens, or Bod for short - has adventures, makes friends (not all of them dead), and begins to learn about his past and consider his future. Along the way, he encounters hideous ghouls, a witch, middle school bullies and an otherworldly fraternal order that holds the secret to his family's murder. When he is 12 things change, and the novel's momentum and tension pick up as he learns why he's been in the graveyard all this time and what he needs to do to leave. While "The Graveyard Book" will entertain people of all ages, it's especially a tale for children. Gaiman's remarkable cemetery is a place that children more than anyone would want to visit. They would certainly want to look for Silas in his chapel, maybe climb down (if they were as brave as Bod) to the oldest burial chamber, or (if they were as reckless) search for the ghoul gate. Children will appreciate Bod's occasional mistakes and bad manners, and relish his good acts and eventual great ones. The story's language and humor are sophisticated, but Gaiman respects his readers and trusts them to understand. I read the last of "The Graveyard Book" to my class on a gloomy day. For close to an hour there were the sounds of only rain and story. In this novel of wonder, Neil Gaiman follows in the footsteps of long-ago storytellers, weaving a tale of unforgettable enchantment. Monica Edinger is a teacher at the Dalton School in New York City.


School Library Journal Review

Gr 5-8-"There was a hand in the darkness, and it held a knife." So begins the tale of Nobody Owens, a child raised in a graveyard by ghosts. The man Jack, a member of an elite and despicable organization, is sent to slit the throats of an entire family. As he prepares to finish off the last and most important family member, he is enraged to discover that the baby boy has eluded him by climbing from his crib and going out the door. The youngster toddles to a nearby graveyard, where the ghostly inhabitants take him in. Little Nobody (Bod) flourishes in the graveyard, a place alive with adventure and mystery. But he longs to enter the world of the living, a place where danger, and the man Jack, await. What a wicked delight to hear this inventive, sinister story (HarperCollins, 2008) read by multi-talented author Neil Gaiman. His voice ranges from silky to gravelly and gruff to sharp-edged. Those who enjoyed Gaiman's Coraline (HarperCollins, 2002) will be eager to hear his inspired reading of this novel. Winner of the 2009 Odyssey Award for Excellence in Audiobook Produciton, This captivating production makes the story accessible to younger students as well as reluctant readers.-Lisa Hubler, Memorial Junior High School, South Euclid, OH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Kirkus Review

Wistful, witty, wise--and creepy. Gaiman's riff on Kipling's Mowgli stories never falters, from the truly spine-tingling opening, in which a toddler accidentally escapes his family's murderer, to the melancholy, life-affirming ending. Bod (short for Nobody) finds solace and safety with the inhabitants of the local graveyard, who grant him some of the privileges and powers of the dead--he can Fade and Dreamwalk, for instance, but still needs to eat and breathe. Episodic chapters tell miniature gems of stories (one has been nominated for a Locus Award) tracing Bod's growth from a spoiled boy who runs away with the ghouls to a young man for whom the metaphor of setting out into the world becomes achingly real. Childhood fears take solid shape in the nursery-rhyme-inspired villains, while heroism is its own, often bitter, reward. Closer in tone to American Gods than to Coraline, but permeated with Bod's innocence, this needs to be read by anyone who is or has ever been a child. (Illustrations not seen.) (Fantasy. 10 & up) Copyright ©Kirkus Reviews, used with permission.


Library Journal Review

A baby survives the killing of his family by a mysterious assassin. He crawls to a nearby graveyard and is adopted by the assortment of spooks who occupy the place, soon to include his own recently murdered parents. There he is christened with a new name: Nobody, or Bod for short. Under the watchful tutelage of the dead, Bod learns reading, writing, history, and a few other useful skills-haunting and "disapparating" [disappearing from a location and reappearing in another]. Why It Is a Best: An elegant combination of Gaiman's masterly storytelling and McKean's lovely drawings, this book also works as a series of independent but connected short stories set two years apart, following Bod from age two to 16. Why It Is for Us: In interviews, Gaiman has said that this book took him years to write, and it was worth the wait. Imagine Kipling's The Jungle Book set among a forest of graves. A complete recording of Gaiman reading the book is available on his web site; see also LJ's video with the author from BEA 2008.-Angelina Benedetti, King Cty. Lib. Syst., WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.