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Summary
Summary
The beloved author of Because of Winn-Dixie enlightens us with a tale of adventure, despair, love, and soup.
Welcome to the story of Despereaux Tilling, a mouse who is in love with music, stories, and a princess named Pea. It is also the story of a rat called Roscuro, who lives in the darkness and covets a world filled with light. And it is the story of Miggery Sow, a slow-witted serving girl who harbors a simple, impossible wish. These three characters are about to embark on a journey that will lead them down into a horrible dungeon, up into a glittering castle, and, ultimately, into each other's lives. And what happens then? As Kate DiCamillo would say: Reader, it is your destiny to find out.
From the master storyteller who brought us Because of Winn-Dixie comes another classic, a fairy tale full of quirky, unforgettable characters, featuring twenty-four stunning black-and-white illustrations by Timothy Basil Ering, in an elegant design that pays tribute to the best in classic children's books and bookmaking traditions.
Author Notes
Kate DiCamillo lives in Minneapolis, Minnesota. She is the author of Because of Winn-Dixie , a Newbery Honor book, and The Tiger Rising , which was a National Book Award Finalist.
Timothy Basil Ering is the author and illustrator of the acclaimed picture book The Story of Frog Belly Rat Bone . He lives in Massachusetts, USA.
Reviews (5)
School Library Journal Review
Gr 3 Up-In this delightful novel, a tiny mouse risks all to save the princess he loves from the clutches of a devious rat and a slow-witted serving girl. With memorable characters, brief chapters, and inventive plot twists, this fast-paced romp is perfect for reading alone or sharing aloud. Winner of the 2004 Newbery Medal. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
The author of Because of Winn-Dixie and The Tiger Rising here shifts gears, demonstrating her versatility while once again proving her genius for mining the universal themes of childhood. Her third novel calls to mind Henry Fielding's Tom Jones; DiCamillo's omniscient narrator assumes a similarly irreverent yet compassionate tone and also addresses readers directly. Despereaux, the diminutive mouse hero ("The last mouse born to his parents and the only one of his litter to be born alive"), cares not a whit for such mundane matters as scurrying or nibbling, and disappoints his family at every turn. When his sister tries to teach him to devour a book, for example ("This glue, here, is tasty, and the paper edges are crunchy and yummy, like so"), Despereaux discovers instead "a delicious and wonderful phrase: Once upon a time"-a discovery that will change his life. The author introduces all of the elements of the subtitle, masterfully linking them without overlap. A key factor unmentioned in the subtitle is a villainous rat, Chiaroscuro (dwelling in the darkness of the Princess's dungeon, but drawn to the light). Ering (The Story of Frog Belly Rat Bone) brings an understated drama to the black-and-white illustrations that punctuate each chapter. His artwork conveys a respect for the characters even as they emit the wry humor of the narrator's voice. The teller of the tale roots for the hero and thus aligns himself with the audience: "Reader, you must know that an interesting fate (sometimes involving rats, sometimes not) awaits almost everyone, mouse or man, who does not conform." In addition to these life lessons, the narrator also savors a pointer or two about language (after the use of the word "perfidy," the narrator asks, "Reader, do you know what `perfidy' means? I have a feeling you do, based on the little scene that has just unfolded here. But you should look up the word in your dictionary, just to be sure"). Reader, I will let you imagine, for now, how these witticisms of our omniscient narrator come into play; but I must tell you, you are in for a treat. Ages 7-12. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Intermediate) Despereaux Tilling is not like the other mice in the castle. He's smaller than average, with larger than average ears. He'd rather read books than eat them. And he's in love with a human being--Princess Pea. Because he dares to consort with humans, the Mouse Council votes to send him to the dungeon. Book the First ends with Despereaux befriending a jailer who resides there. Books two and three introduce Roscuro, a rat with a vendetta against Princess Pea, and Miggery Sow, a young castle servant who longs to become a princess. Despereaux disappears from the story for too long during this lengthy middle section, but all the characters unite in the final book when Roscuro and Miggery kidnap Princess Pea at knifepoint and Despereaux, armed with a needle and a spool of thread, makes a daring rescue. Framing the book with the conventions of a Victorian novel (""Reader, do you believe thatthere is such a thing as happily ever after?""), DiCamillo tells an engaging tale. The novel also makes good use of metaphor, with the major characters evoked in images of light and illumination; Ering's black-and-white illustrations also emphasize the interplay of light and shadow. The metaphor becomes heavy-handed only in the author's brief, self-serving coda. Many readers will be enchanted by this story of mice and princesses, brave deeds, hearts ""shaded with dark and dappled with light,"" and forgiveness. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Kirkus Review
Dear reader, light your lamp and listen to the tale of Despereaux, the last mouse born of Antoinette. Born with his eyes open and ears much too large, Despereaux seems destined for early death. A true Renaissance mouse, he can hear honey, read words, and appreciate fine music. But he cannot conform to the strictures of the mouse world. Rodents and humans don't mix, yet he falls in love with the Princess Pea, earning the wrath of all the mice in the castle. The melodramatic voice of the narrator glides through DiCamillo's entirely pleasing tale, at times addressing the reader directly, at others, moving the reader back and forward in time. Never does she abandon the reader in the dungeon with Despereaux, the dark-hearted rats, or the guard and fellow inmate, Gregory. And so unwinds a tale with twists and turns, full of forbidden soup and ladles, rats lusting for mouse blood, a servant who wishes to be a princess, a knight in shining--or, at least, furry--armor, and all the ingredients of an old-fashioned drama. (Fiction. 7-12) Copyright ©Kirkus Reviews, used with permission.
Booklist Review
Gr. 3-6. Forgiveness, light, love, and soup. These essential ingredients combine into a tale that is as soul stirring as it is delicious. Despereaux, a tiny mouse with huge ears, is the bane of his family's existence. He has fallen in love with the young princess who lives in the castle where he resides and, having read of knights and their ladies, vows to honor her. But his unmouselike behavior gets him banished to the dungeon, where a swarm of rats kill whoever falls into their clutches. Another story strand revolves around Miggery, traded into service by her father, who got a tablecloth in return. Mig's desire to be a princess, a rat's yen for soup (a food banished from the kingdom after a rat fell in a bowl and killed the queen), and Despereaux's quest to save his princess after she is kidnapped climax in a classic fairy tale, rich and satisfying. Part of the charm comes from DiCamillo's deceptively simple style and short chapters in which the author addresses the reader: Do you think rats do not have hearts? Wrong. All living things have a heart. And as with the best stories, there are important messages tucked in here and there, so subtly that children who are carried away by the words won't realize they have been uplifted until much later. Ering's soft pencil illustrations reflect the story's charm. --Ilene Cooper Copyright 2003 Booklist