Publisher's Weekly Review
Booksellers should send up three cheers of greeting for this haunting second novel by the author of The Book of Ruth , a beautifully developed and written story reminiscent of the work of Sue Miller and Jane Smiley. A piercing picture of domestic relationships under the pressure of calamitous circumstances, it poignantly addresses the capricious turns of fate and the unyielding grip of regret. Alice and Howard Goodwin and their two young daughters live on the last remaining dairy farm on the outskirts of Racine, Wisc. The farm is Howard's dream, realized with infusions of money from his disapproving mother; but Alice, who is disorganized, skittery and emotionally volatile, is constitutionally unsuited to be a farmer's wife. Her solace is her best friend Theresa, who also has two little girls for whom they alternate days of babysitting. One hot, dry June morning, in the middle of a soul-parching drought, Alice daydreams for a few, crucial minutes while the four girls play. She has rediscovered the map of the world that she made after her own mother died when she was eight; it was an attempt to imagine a place where she would always feel safe and secure. In that short time, one of Theresa's daughters drowns in the Goodwins' pond. As outsiders from the city, the Goodwins have never been accepted in their small community, which now closes forces against them. Still grieving and filled with remorse, Alice, a school nurse, is accused by an opportunistic mother of sexually molesting her son. She is arrested, and since Howard cannot raise bail, she remains in jail, where she suffers but also learns a great deal about human frailty and solidarity. Meanwhile, Howard and the girls undergo their own crucible of fire. Among Hamilton's gifts is a perfect ear for the interchanges of domestic life. The voices of Alice and Howard, who narrate the tale, have an elegiac, yet compelling tone as they look back on the events that swept them into a horrifying nightmare. In counterpoint to the shocks that transform their existence, the drudgery of the daily routine of farm life has rarely been conveyed with such fidelity. Fittingly, however, the death of their hopes as a family coincides with Howard's realization that the farmer's way of life is disappearing as well. The last third of the book, detailing Alice's incarceration among mainly black inmates, is astonishingly perceptive and credible, opening new dimensions in the narrative. One wants to read this powerful novel at one sitting, mesmerized by a story that has universal implications. BOMC and QPB selection. (June) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Hamilton's second novel will inevitably invite comparison with Jane Smiley's A Thousand Acres--it too is a big book about a farm family's fall from grace--but the author of The Book of Ruth (1988), winner of the PEN/Hemingway award for the best first novel, carves out her own territory in a strong, compelling story. Alice Goodwin, 30ish, is a school nurse and the mother of two young daughters, Emma and Claire. Her husband, Howard, runs the dairy farm they live on in Prairie Center, Wisc. Farming is not just his job but his passion; the words ``Golden Guernsey'' hold all the magic of poetry in his ears. Alice admires but can't share this fervor. For her, passion seems long-buried under a heap of day-to-day responsibilities she feels only half-good at. One sunny June day, her safe life is shattered by an unthinkable tragedy: A small child under her care has an accident and dies. After that, as if a doorway to darkness has been opened, Alice finds herself in more trouble, accused of terrible crimes, wrenched from her family and locked in jail. From farm wife to felon is a big leap, but Hamilton makes it completely believable by portraying a woman whose strengths are also her downfall. As a child, Alice designed her own map of the world to find her bearings. Now, as an adult, she has to find her own way again, through a thicket of lies and a maze of ill will, just to get back to the solid ground she took for granted before. Unforgettably, beat by beat, Hamilton maps the best and worst of the human heart and all the mysterious, uncharted country in between. (Book-of-the-Month Club alternate selection; Quality Paperback Book Club alternate selection; author tour)
Booklist Review
Hamilton's first novel, The Book of Ruth, was widely praised and won the 1989 PEN/Hemingway Foundation Award for best first novel. Her second centers on a few months in the lives of Alice and Howard Goodwin and their little girls, Emma and Claire. The Goodwins live on a dairy farm in Wisconsin, a few hundred acres surrounded by housing tracts. Because they are the only farm family left, and because they are somewhat eccentric and proud of their self-sufficiency, they are isolated from most of their neighbors. Their only friends are the Collins family. One day, Theresa Collins brings her daughters to stay at the farm while she goes to work. In the few minutes that Alice spends looking for a bathing suit, two-year-old Lizzie Collins runs to the pond and drowns. Alice blames herself for Lizzie's death, but that's not all. The mother of Robbie Mackessy, a little boy who is one of Alice's most frequent patients in her job as a part-time school nurse, accuses her of sexual child abuse, and Alice is arrested. The rest of the book traces Alice's time in jail, her family's efforts to cope while she is gone, and her trial. Hamilton has a great gift for characterization, and she can express the smallest nuances of behavior, from those of adults under extreme stress to those of very small children. Heartbreaking, harrowing, extremely well done. ~--Mary Ellen Quinn
Library Journal Review
This second novel by Hamilton (The Book of Ruth, LJ 11/1/88) is a stunning exploration of how one careless moment can cause irrevocable and devastating change. Alice Goodwin is caring for her best friend's children when two-year-old Lizzy Collins wanders to the pond on the Goodwin farm and drowns. The consequences of this tragedy reverberate through a small Wisconsin community, which never accepted Howard and Alice Goodwin. Theresa Collins, bereft at losing a child and a dear friend, draws on her Catholic religion and finds forgiveness. Alice, immobilized by guilt and grief and unable to function as a wife or mother to her own two daughters, is charged with abusing children in her part-time job as a school nurse. Lizzy's death is ever present-especially in the bond growing between Theresa and Howard while Alice is in jail-and the pain of it is echoed in Alice's primary young accuser and in Alice as a child, drawing her own map of the world after her mother died. Reminiscent of Rosellen Brown's Tender Mercies (1978), this compelling, multilayered fiction belongs in all collections.-Michele Leber, Fairfax Cty. P.L., Va. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.