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Summary
Summary
Following up his critically acclaimed debut Sunstroke, Kellerman pens a brilliant new thriller--twisted, sexy, and unrelentingly gripping.
Author Notes
Jesse Kellerman was born on September 1, 1978 in Los Angeles, California. Before going to college, he took a year off to study at a men's religious seminary in Israel. He studied psychology, with an emphasis on evolution and antisocial behavior, at Harvard University and received a Master's of Fine Arts in theater from Brandeis University.
He has written numerous novels including The Executor, The Genius, Trouble and Sunstroke. He has won several awards for his writing, including the 2003 Princess Grace Award, given to America's most promising young playwright.
Jesse Kellerman co-wrrote bestseller, The Golem of Hollywood, with his father Jonathan Kellerman.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Kellerman, the son of bestsellers Faye and Jonathan Kellerman, shows that his impressive debut, Sunstroke, was no fluke with this gripping psychological page-turner that echoes the best of Hitchcock. Jonah Stem, a young medical resident at St. Agatha's, a midtown Manhattan teaching hospital, heroically intervenes when he encounters an attractive woman desperately fleeing a knife-wielding assailant early one morning on a street near Times Square. After Stem kills the man in self-defense, he enjoys a brief celebrity, but his life soon becomes complicated when the woman he rescued, Eve Gones, seeks him out and the two begin a frenzied affair. Taken aback by Gones's masochism, Stem attempts to end the relationship, but soon finds himself stalked relentlessly. Kellerman artfully conveys Stem's descent into near madness, making the step-by-step degradation of a decent man who was in the wrong place at the wrong time plausible and chilling. Author tour. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
A shivery psychological thriller about a beautiful young female stalker. Jonah Stem, medical student at New York's St. Agatha Hospital, is undergoing the damnable tortures of the Third Year. Whereas these can be painful, exhausting and, often as not, humiliating, they're hardly a surprise to him, since "he's read the Book, heard it from the Ghosts of Third Years Past." He's prepared, he's coping, he's even enjoying it all a little. What's about to happen to him, however, is so unexpected and unsettling that it transcends the possibility of preparation. And forget about coping. On an otherwise ordinary night, on his way home from St. Aggie's, Jonah Stem kills a man. Traumatic as that is, it's only a link in a chain of events culminating in irreparable loss. He hears the terrified scream, sees her, her hand dripping blood. Next, there's her assailant, who an instant later becomes Jonah's. Finally, at the end of a brief but ferocious struggle, there's a knifing and death. Like a surgeon, "he'd removed a man's violence," he takes to telling himself in defense against guilt. She is Eve Jones--lovely and grateful, almost relentlessly grateful. The affair that springs up between them has the quality of the inevitable. But Eve is a dark one, with sides to her that are both complex and disturbing, so much so that Jonah decides to break off the relationship. Not his decision to make, says Eve, which is when Jonah begins to understand how much trouble he's in. And how wrong he's been about the woman he once thought of as a victim. After a relatively cheery debut, the talented Kellerman (Sunstroke, 2005) travels to Ruth Rendell country, and the bet here is you won't have read a more nightmarish novel all year. Copyright ©Kirkus Reviews, used with permission.
New York Review of Books Review
AMONG the many perverse diversions and delights of Jesse Kellerman's unnerving new thriller, TROUBLE (Putnam, $24.95), are his clinically detailed descriptions of all the variables that could drive a third-year medical student like Jonah Stem crazy. The sleep deprivation from putting in 16-hour days, six days a week, might do it alone. But compounding that constant assault on the nervous system are the abusive egomaniacal surgeons, the disgusting scut work on the colorectal ward and the staggering psychic misery of observing all the human suffering. That Kellerman maintains such a grimly hilarious perspective on his subject is its own twisted tribute to the survival instincts of writers who go down to the depths to entertain their readers. In Jonah's words, when he finds himself on the psych wing: "You had to laugh. If you didn't, you'd drown." As this psychologically complex story develops, it isn't the normal crush of work and study that finally pushes this sensitive hero to the limits of his mental endurance. It's a woman who calls herself Eve Jones. Jonah thought he was rescuing Eve from a violent death when he fought and killed a man he saw attacking her on a dark street on the far West Side of Manhattan. (Indeed, he has his moment of fame as a media hero: "Superdoc Battles Sicko W/ Knife.") But Eve works her way into his bloodstream like a slow-acting poison, challenging his devotion to an ex-girlfriend who suffers from a debilitating neurological disorder and wickedly manipulating Jonah's emotional neediness to satisfy her own sadistic sexual tastes. Before Jonah realizes that this pain artist means it literally when she says "I love you to death," she has taken control of his life. Jesse Kellerman Eve may be too much of a monster to pass as a credible human being, but she's a memorable character, with her mad theories on the aesthetics of pain and her genius at recognizing the wolfish impulses Jonah has repressed under his nice-guy persona. ("She knew," Jonah acknowledges. "She could divine latent rage.") Her feats of pure, guilt-free perversity also make her a wonderful foil for the amusingly clueless friends and family members against whose behavioral norms Jonah is subconsciously rebelling. "He needed to see how it felt to say no," Jonah says, when he first blows off one of his routine duty calls on his ex-girlfriend. "And now he knew: it felt O.K." But in a very short while, it will not feel O.K. at all, and Jonah can only wish he were back on the colorectal ward. Thomas H. Cook is one of the most literary of psychological-suspense authors, and sometimes, as in THE CLOUD OF UNKNOWING (Otto Penzler/Harcourt, $24), he allows his lyrical style to swamp his story. But while the suspense is minimal in this first-person account of an underachieving small-town lawyer who fears for the sanity of his gifted but unstable sister, the narrative is sustained by its thematic richness and the subtlety of its psychological portraits of tormented characters. As children, both David Sears and his older sister, Diana, were subjected to grueling intellectual drills by their father, a paranoid schizophrenic given to frightening rages when a little boy stumbles over his lessons in Greek mythology. But unlike David, who resigns himself to being the dunce of the family, Diana is every bit as brilliant as her father - and perhaps as mad. That suspicion, first raised when Diana accuses her husband of having murdered their mentally disturbed son, becomes an obsession with David when she initiates his teenage daughter into her fanciful way of thinking. Although Cook is maddeningly coy about who actually killed whom, he writes eloquently about the fears that lead people to equate intelligence with madness, suppressing the imagination and taking refuge in mediocrity. When I'm casting about for an antidote to the sugary female sleuths who solve crimes without disrupting their social calendars, Kate Shugak, the Aleut private investigator in Dana Stabenow's Alaskan mysteries, invariably comes to mind. In more than a dozen novels, Kate has demonstrated that she can shoot a rifle, butcher a moose, overhaul an engine and survive in remote regions of the Alaskan wilderness. More amazing yet, her outdoor skills don't alienate the rugged men in her life. A DEEPER SLEEP (St. Martin's Minotaur, $24.95) finds Kate under pressure from her relatives to get tough with a serial wife-killer whose luck at eluding the law has demoralized their entire village. For once, Kate's straight-arrow methods fail her, truth being an arbitrary concept in a community where local custom dictates justice. So forget all those hair-raising treks into the wild; joining the tribal council may well be the most dangerous move Kate has ever made. Meanwhile, thousands of miles away on an Indian pueblo in New Mexico, a young female agent with the Bureau of Land Management puts some muscle into a homicide case with eerie mystical overtones. Making her striking debut in Sandi Ault's WILD INDIGO (Berkley Prime Crime, $23.95), Jamaica Wild watches a man trampled in a buffalo stampede. Despite the expression of rapture she saw on his face, she refuses to accept the Tanoah tribe's judgment that his death was a suicide and doggedly pursues an investigation that strains her relationship with the "pueblo mother" who's initiating her into the Tanoah customs. Scenes of the high, dry, glittering landscape are as clean as a sun-bleached bone, and there are thrills galore when Jamaica is trapped in a flash flood that tears down the canyon walls of an ancient mountain sacred to the tribe. But Ault is no less artful at depicting the marriage customs, funeral rites and religious ceremonies that have drawn Jamaica to this tightly knit world and made her lose her heart to its people. In Kellerman's thriller, a woman works her way into his medical-student hero's bloodstream like a slow-acting poison.
Library Journal Review
A new "twisted, sexy" thriller from the 2003 Princess Grace Award winner playwright Kellerman (Sunstroke), who lives in New York City. Author tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.