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Summary
Summary
Continuing the breathtaking story begun in the New York Times bestsellerDance of Death, Douglas Preston and Lincoln Child present the ultimate showdown between good and evil--set against the backdrop of an ancient Egyptian curse.
Author Notes
Lincoln Child was born in Westport, Connecticut in 1957. He received a degree in English from Carleton College in Northfield, Minnesota. After graduation, he obtained a position as an editorial assistant at St. Martin's Press and eventually became a full editor in 1984. He left St. Martin's Press in 1987 for a job at MetLife and began writing.
Child has co-written numerous books with Douglas Preston including Relic, White Fire, Cold Vengeance, Riptide, Thunderhead, The Wheel of Darkness, Cemetery Dance, Gideon's Corpse, Blue Labyrinth, and Two Graves. In 2003, he published his first solo novel entitled Utopia. His other solo works include Death Match, Deep Storm, Terminal Freeze, The Third Gate, and The Forgotten Room.
(Bowker Author Biography)
Reviews (4)
School Library Journal Review
Preston and Child's Pendergast series, which began with Brimstone and Dance of Death, ends in grand style with this intense and shocking conclusion. FBI agent Pendergast's psychotic brother, Diogenes, has plotted for years to achieve his goal of destroying his brother, and he sees his opportunity at last at the New York Museum of Natural History. An Egyptian tomb buried by the museum staff more than 70 years ago is about to be unveiled in a bold extravaganza. The tomb was believed to have been cursed, and signs show that this possessed evil still haunts the exhibit. As Diogenes unleashes his plan, his brother is nowhere to be found to stop him. Accused of the murders that Diogenes committed, Agent Pendergast lies in an escape-proof prison and must dodge the inmates who want him dead. With this final installment, Preston and Child have truly saved the best for last. Every story thread thrills, and the novel seems too short, despite the large page count. Readers will want to see Pendergast and friends again quickly; an essential purchase.--Jeff Ayers, Seattle P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Publisher's Weekly Review
Bestsellers Preston and Child have come up with another gripping, action-packed page-turner in this concluding volume to a trilogy pitting their Holmesian hero, FBI agent Aloysius Pendergast, against his Mycroft-turned-Moriarty-his younger brother, Diogenes. Picking up shortly after the events of 2005's Dance of Death, the book opens with the arrival of a package of fine dust at the Museum of Natural History; Diogenes has returned the diamonds he stole earlier. Meanwhile, Aloysius is in prison, having been framed for a number of murders. As his friends plot to spring him, his adversary lays the groundwork for a crowning criminal achievement. A mysterious benefactor funds the restoration of an ancient Egyptian tomb at the museum, but the work is beset by the mayhem Preston and Child's readers have come to expect-gory murders and suggestions of the supernatural. This entry, tying up many loose ends from its predecessors, is less likely to work as well for first-time readers, but followers of Aloysius Pendergast's previous exploits will find it a satisfying read with a tantalizing, ominous twist at the end. 10-city author tour. (June) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
Brazenly convoluted, swift-going last title in the Pendergast trilogy (after Dance of Death, 2005) features FBI special agent Aloysius Pendergast in murderous rivalry with his brother Diogenes. The authors keep numerous pots boiling over at once: Agent Pendergast is locked away in solitary confinement at the escape-proof Herkmoor Federal Correctional Facility in upstate New York, apparently framed for serial murders, at the time that a mysterious package containing ground diamonds is dumped at the beleaguered New York Museum of Natural History. Caught trying to hide the fact that the diamond dust is what is left of the museum's priceless diamond collection stolen some time before, the museum powers-that-be decide to bring up an Egyptian tomb buried in its cellars as a public-relations stunt. Archaeologist Nora Kelly (whose husband, New York Times reporter William Smithback Jr., broke the diamond-grit story) is assigned to reassemble the Tomb of Senef and plan the sound-and-light show that will bedazzle big-name guests at the official opening. A suave Egyptologist from the British Museum, Adrian Wicherly, aids Kelly and discovers that the tomb's hieroglyphics contain a curse of insanity on whoever defiles it. In fact, a series of visitors to the tomb do fall prey to madness and murder, including Dr. Wicherly, as plans for the official opening proceed ominously. Meanwhile, martial-arts master Pendergast is sprung from torture and gang mayhem in a jail rescue by fellow FBI agent Vinnie D'Agosta, and others convinced of his innocence, and put on the trail of Diogenes, who still has not recovered from emotional damage suffered during childhood. Diogenes blames his older brother for his early trauma and manipulates to his purposes the family's na™ve young ward, Constance Greene, whose own Dickensian tale figured into the authors' previous novels. With Diogenes stalking Constance in Italy, and the New York mayor and his retinue locked in the tomb, this promises to be a really good show. Fast, punchy and relentlessly action-packed. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Preston and Child's Pendergast series, which began with Brimstone and Dance of Death, ends in grand style with this intense and shocking conclusion. FBI agent Pendergast's psychotic brother, Diogenes, has plotted for years to achieve his goal of destroying his brother, and he sees his opportunity at last at the New York Museum of Natural History. An Egyptian tomb buried by the museum staff more than 70 years ago is about to be unveiled in a bold extravaganza. The tomb was believed to have been cursed, and signs show that this possessed evil still haunts the exhibit. As Diogenes unleashes his plan, his brother is nowhere to be found to stop him. Accused of the murders that Diogenes committed, Agent Pendergast lies in an escape-proof prison and must dodge the inmates who want him dead. With this final installment, Preston and Child have truly saved the best for last. Every story thread thrills, and the novel seems too short, despite the large page count. Readers will want to see Pendergast and friends again quickly; an essential purchase.-Jeff Ayers, Seattle P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.